Category Archives: Uncategorized

Advent Catchup

Ugh. Ok, looks like a blog a day was optimistic. Still, I’m still here and so are you (presumably).

Here’s a catch up!

Numbercruncher (the four issue miniseries written by Si Spurrier and drawn by me, with colours by Jordie Bellaire and letters by Simon Bowland, published by Titan and now available in a awesomly cool hard back you can buy here) has been named one of the top 10 miniseries of the year by Multiversity comics (I mean, sheer modesty should stop me saying it was the number #2 mini series in their estimation-it should, but it wont) and, not only that, but it’s been shortlisted in the awards for Broken Frontier as one of their Best Limited Series of the year.  You can help out by voting here.

Dept of Monsterology #3 came out in all good comic shops yesterday. PLEASE GO AND BUY IT or ASK FOR IT in your local comic shop. I really want to do more of this book, and the ONLY way that’ll happen is if it sells – preferably through the traditional route of comic shops!  (though if you’d rather, here’s where to buy it drm free digitally)

Publishing any new material with a new publisher is fraught with all sorts of risks, and the idea that you’ll be able to buy a trade of that material is entirely dependent on whether people have bought the comics – they pay for the trade. Don’t trust that a trade will happen. I want it to happen, but, if you like the book (and if you’re reading this, I’m guessing you will) and you can do, please buy the individual issues. (I’ll be honest : at this point if a trade happens it’ll be despite the numbers, rather than because of them.)

Here’s the third issue cover in all its black and white spooky splendour.


And here’s a wonderful review that seems to really get the book. 5/5!


On the personal front, my wife was informed that her department in her work is closing and that she would be offered redundancy (in the same way the mafia might make you an offer you can’t refuse).

She’s taking the redundancy – which is a fair old amount, basically a years worth of salary tax free. So we’re likely to be ok. And her background/skillset means she’ll probably be ok to find a job (she has some specific qualifications that set her aside from normal admin type posts).

Which all means the new year may see some big changes. No idea what, exactly, but we’ll find out, right?

Now, go and buy my books!



Me and tv. Ah, me and tv. I used to love you tv. Remember the raspy drizzle of light as I sat tuning you in to one of the four channels available, twisting and turning the dial until I could pick up channel 4 – the newest channel. The Munsters, Countdown and the mythical red triangle.

There was a time that I was the tv guide in my family. I could glance at a tv and tell you within seconds what was on – and by extension, the time of day and the channel. A skill, that, over time, proved more and more worthless (not that it had a lot of value at any rate).

These days, it’s an impossible skill, hundreds of channels (though we’ve cut our channels down to just the freeview, and removed all the horribly commercial ones, and slightly filthy ones and the sport, so it’s a more manageable several dozen) and millions of repeats – often on dave – have killed anyone’s chance of learning that skill.

At the moment we get our televisual kicks from freeview, Netflix (with an unblock-us subscription so we can watch us tv shows) and nowtv. NowTv is sky’s new answer to netflix (as the advertising would have it). But it’s only the answer to netflix if the question is “is there a service marginally cheaper than netflix but with substantially less tv shows”. Yes. There’s nowtv’s “entertainment” package.

It does allow you to watch live tv though, but only on a few (sky) channels and even then, often you’ll be watching and suddenly a program will be ‘slated’ – that is, a little credit box will appear saying “sorry! You can’t watch this, we don’t have the rights to show it digitally”. Which is frustrating. It’s like the released the service too early through fear of missing out altogether.

Still, even then, nowtv, netflix and unblock us combined are still cheaper than the digital viewing options we had via virgin media.

And my kids mostly watch people unboxing pokemon toys on Youtube. So clearly, entertainment is changing.


Channel Hex

I have, for some time, been searching for a brand name. Something I can apply to any sketchbooks or (if I ever do any) short stories that I might collect. My collection of short stories ‘previously’ for example didn’t have a publisher name – just mine. Which always felt a bit odd. So I’ve been racking my brain for some time over this, almost inconsequential thing.

Finally after much uhming and ahming and abandoned ideas, I had it.

Channel Hex. 

I’ve always loved anthologies – both in comics (come on, 2000AD? YES PLEASE) and in television (though anthology’s tend to be less one show with multiple shorts and more one tv show that can deal with different stories and situations, the Twilight Zone, the Outer Limits and even Doctor Who). So I needed a title / brand that could work on lots of different things, because that’s what it’ll have. Egotistical monster that I am, I  played with “CHANNEL H” (open channel D) as a viable name, then Hex hit me. I’d been playing around with Hex as a name already – I liked the digital and supernatural implication (hex as in hexadecimal and hex as in curse). Mushing those two up together seemed like a no brainer (though why it would take me so long to figure it out, I don’t know…)

A quick google search, and, much to my amazement, was available as a domain, so registered up, I started working on a logo.


Concept sketching something emerging out of a TV screen and a tv screen with a hexagon shape, I finally came up with the logo – less TV and more portal, I suppose. The plan is to alter the colours or maybe the silhouetted monster shape to be appropriate to whatever comic / sketchbook it is I’m doing.

First thing out will probably be a digital reissue of “previously”. Then a digital sketchbook (a free one with characters I don’t own) then a digital sketchbook with characters I do own.  Following that, I don’t know. Maybe nothing. But whatever it is, you want to open channel hex.


My Favourite Dredds

This is “A Contract on Grud” by Alan Grant for the Megazine – published in 2009.

I think it remains a personal high for me, first: working with Alan Grant (one half of T.B. Grover – Grant and Wagner’s pen name for many of the greatest Dredds) the strip was set in the middle of the block wars (which is why Dredd’s gun is the early Mk I lawgiver and I was stealing Mike McMahon’s rendering – hopefully while still remaining distinctly me). I got a lot of nice hand lettered s/fx in there (I need to go back to that) and the final page is a Ron Smith tribute (based on a page Ron Smith did in the Block Wars run of Dredd).

All of that, and I think the art is some of my best.

Post Dredd Forsaken

It’s been a bit of a craptacular week for illnessess and things in my house, so as much as I’d like to do a full on commentary on the Dredd I’ve done for 200AD (that’s just ended its six week run) I’m too tired to. Instead, here’s a couple of my favourite bits of art from it (I’ve uploaded whole pages, but I’ll be honest- it’s only little bits that I like…)

I feel like I’m getting closer and closer to how I want my Dredd to look. I’d love to be able to say one day there’ll be an iconic Holden Dredd (in the same way that many other artists have left an iconic stamp on the character – Bolland, McMahon (multiple times), Steve Dillon, Jock, etc) but I don’t think that’ll ever happen. On the other hand, I feel happy that I’m getting towards a Dredd that’s recognisably my own.

By episode 5 I’d abandoned traditional inking and moved to the computer. I think it’s been generally positive. I miss having the original art, but the advantages (largely about being able to zoom in and see the art better and getting finer details) are more than worth it.


Mulling over new computers

It’s an odd position to find myself in, exiled as I have been from the IT industry coming on 4 years (and that’s assuming I was even still in the IT industry having spent the previous 9 years working in IT for a charity), but I’m pretty unfamiliar with the computer landscape now.

Having had a limited exposure to windows 8, I can say, with some clarity, that it’s hateful. A mish mash of touch orientated and mouse/keyboard – neither beast nor fowl (though, I’m sure, many would argue, this is typical of a mac fanboi).

I’m not entirely sure where linux is at the moment. I dipped into that every few years to see what it was like and never came away impressed.

I’d happily jump from mac to something else, if I knew what a good option would be. My criteria: no need to worry about viruses (assuming you’re not an idiot), no need to worry about endless update cycles. Good quality hardware and must run Manga Studio (pc or mac version).

I took the leap from PC to Mac when the internet rose to dominance, and it mattered less and less what computer you used – and the closed mac system was appealing against the fact that I was endlessly twiddling with the PCs hardware.

I’m ready to take the leap from mac, but I don’t see a good option.

I think my next computer will be a macbook air – eventually running a larger cintiq (or cintiq like – the Yiynova seems to be in a sweet spot for price/size/ability)

But I’m really torn. I’d like the portability, going digital is great in some respects but it’s pretty impractical to lug my desktop off on holiday if I want to work, but spec wise it’s a bit of a step backwards from the 21″ desktop I’ve run for a few years. In an ideal world, I’d buy a new desktop and a new laptop (but, in that world, I’m also slimmer, better looking and probably so rich I only draw for pleasure).

Anyways, I dunno. What do you think internet? (or, better, what are you using?)




Magic Box Month 1: Colour Comps

Colour comps for the magic box first month. I’ll be honest, I found this really, really hard – partly because I needed to do research-which I’m normally very bad at. Like most artists I know, I’ll use google images to pull up images of things that I need to draw – but this first home work called for atmosphere – and it’s not something I normally research so was really stuck. In the end I researched the things in the pic (Buddhist monk, Tibetan doors, and tibet in general) to get some ideas for colours and sort of started from there. I’ll post these and probably think about them a little more.


Clockwise from left…


Image one, and two use the same drawing – a fully inked piece that I wanted to colour. I tried to do a limited palette on both. Image 1 looks bloody awful. Image two is nice and hot, but wasn’t happy with the drawing (in a comic this panel is supposed to be explosed and read super quick, so you’d never look at it for longer than a second, here I’m trying to turn it into an interesting still image – though with still a bit of force to it. Image 3 I coloured after looking at the reference for the location and image started from a little reference image but went very supercartoony. At a super thumbnail size, the fourth one is my fav.


Batman and Robin

batmanandrobinI’ve read little bit of Grant Morrison’s Batman and Robin run, and – what I’ve seen – I’ve really enjoyed (I realise I’m so late to this, that Damian Wayne is no more)…


I like the team up of grim and gritty Robin with optimistic Batman. It’s fun.

Here’s a Manga Studio digital sketch that turned into a full on inked piece. Really enjoyed inking in a faux-Frank Quitely style on Robin’s outfit.


Drawing bits

Ok, if you’ve followed me on my blog or on twitter you’ll know that I’ve been in something of a battle with digital drawing – occasionally digital drawing wins a fight but the war always goes to analogue.

It’s been a longer running battle than you know.

My first computer was an Amstrad CPC464, in 1984. In those days you’d buy magazines with listings on them to type into the computer, and I typed my first drawing program in, which I tweaked and changed and modified until it was pretty full featured (well, as full featured as it could be, you could literally watch a flood fill fill every pixel and real time, it was so slow). That was my first experience of digital drawing.

In 1987 when I went to college and was asked what I wanted to do I said I loved computers and drawing and wanted to do something with both. They told me to do Technical Drawing – which, these days is all done in CAD systems, and in those days was done on paper with rulers and set squares and was mind numbing. Really, it was the worst advice. If I’d known then that computers would become so essential in drawing in later years anyway, I’d probably have simply pursued an art career.

In 1989 Autodesk Animator came out, and because I was working in a computer retailer, I got my hands on a copy and played with it – it was my first exposure to layers (there were only two layers, and I’m not even sure they were called layers then. There was no blend modes – you could only scratch and reveal a layer below the current layer).

I used to love tomorrow’s world, especially anything to do with computer graphics – I remember watching someone using a really early light pen to draw directly on to a computer screen – pretty sci fi, and amazing and thinking I wanted to do that.

In about 1989/90 I got my hands on corel draw (and would go on to train people in it) and started computer lettering – albiet by printing out the letters onto A4 paper and cutting out and sticking on the page. The range of fonts was the big limiting factor though, there was nothing like the organic hand lettering style fonts that are so prevalent now.

The cintiq has been part of my tool box for a couple of years now, as has Manga Studio. I bought version 3 in the states and never used it, version 4 came out and I upgraded out of a sense of ‘this is probably useful for corrections’ and it’s become pretty much essential to my workflow. But it’s mostly for corrections and dealing with the large amount of art that you end up amassing (I use story files to keep all the pages of a comic together). I’ve drawn the occasional page, but it’s never been as satisfying as paper, brush and ink.

That hasn’t really changed, but, I have been drawing more in digital, in fact, I’ve now drawn two episodes of Dredd entirely digitally (bar one traditionally inked page).

There’s still nothing to beat the excitement of getting the ink and brush to do what you want, but, on the other hand, digital allows me to start drawing without the mental prep work and fretting that traditional inks normally take (where’s my brush? has it split? is this ink too thick? gah)

And now, now, I’m going to see if I can’t do an entire issue of a 22 page comic in digital.