Doing lines…

One of the dullest and yet something you do multiple times per page job is drawing panel borders.

There’s no right or wrong on any of this, it’s all entirely subjective, and I’d argue all that’s important is consistency (in terms of style rather than say line width)

So panel1 borders (the black lines that go around panels) are a very established part of comics grammar. Even if people don’t really know what they are or contain.

When I started drawing comics, aged 18 – long before I had any chance of a freelance career, I started drawing with Rotring Rapidograph pens. A mechanical pen the draws lines in a fixed width with the caveat you have to hold them in a very particular way (pretty much vertically straight). I used .25 for drawing and 1.4 for lovely thick panel borders. It stood me very well. For a bit.

I inked panel borders like that, using the rapidograph for decades. Until I figured out I could actually get away with drawing the panel borders on computer. Then my process changed, sometime around a decade or more ago… I’d loosely pencil the panel borders, scan the pencils in, draw panel borders in Clip Studio and then convert the pencils to blue line, print the resulting page out – blue line pencils with black panel borders and then just ink! no more panel rules!

Such a relief.

The rapidograph is perfect except… it’s so fiddly… so bloody fiddly. And needs constant care and attention (see the featured image – every time I use it now, I have to wash it out, because the ink dries in it’s channels causing it to block)

After deciding, last year, that I wanted to make a break from the computer a bit (at this point I was pencilling and inking on the computer, and had put away all the tools of the trade) I didn’t want to start up with the rapidograph. I’d added some new tools to my arsenal, namely posca markers – black and white. The black at various thicknesses were great for doing panel borders! nice solid blacks. But a little inconsistent and a bit of a pain to use against a ruler (never a problem with the rapidograph) in exchange they were extremely low maintenance- I mean, open them and they worked – and importantly they were water proof, a thing the rapidograh ink never was, which meant using acrylic white paint to correct mistakes would often result in a smear of grey when the rapidograph ink mixed with the white acrylic. Such a pain.

BUT … the black poscas would often leave ink on the ruler when used and that would inevitably transfer to my arm which would then find its way back to the page, leaving more smears.

Just… ugh. Look my love of digital comes down to just how clean it all is. Ink and me, we never managed to get through a day without clashing with each other and the resulting mess being left on the page somewhere.

The posca ink transfer problem proved insourmantable, so I moved back to the rapidograph, at this point it had spent a good 10 years unused and the ink had gone … very … very bad. It smelt, weirdly, of vanilla. So a thorough cleaning later and the slightly sickly vanilla smell still present at least it worked.

But again the white+black = grey. Gah,

So I moved again to using a rule and a brush – not a bad idea, the brush is almost the perfect tool for inking lines, it’s useable instantly, easy to clean, doesn’t transfer if you’re careful, and you can use standard black ink, so waterproof! Ah, but now the problem is… holding a ruler in the right way to get the line perfect is a pain.

You hold the ruler at about 30-45deg from the page and using the raised edge you draw the brush along it creating a simple smooth line. A bit of practice and this line proves to be both lively, and interesting even when you’re trying to give a perfectly straight dull line.

But it’s still bloody fiddly, and my hand and eye aren’t the steady laser like stillness of my youth, so I think I’m going to have to clean the gunk out of the old inkjet and go back to drawing panel borders on the computer. Nothing else. Just borders. And honestly, I think that might be the right decision.

  1. Clip Studio calls them frames, I call them panels, and I’ve heard them referred to as Cells. There may be more names, but for simplicity I’ll refer to them as Panels. ↩︎

The New Normal

My wife is starting a new job today, moving from part time to full time employment. And, for at least the first six months, will be in an office for five days of the week. This is the first significant change in how things are around here since the birth of our now 21 year old son. (these younger than the blog! Holy crap!)

What this means is I’ve a chance to block out a brand new daily routine, with scope to do some of the slightly barmier things I might want to do, like micro podcasts. I’ve been obsessed with making things for a long long time. And I’ve always wanted to do more media things, but there’s always someone in the house (couple of years ago I bought my dads house and went from a roomy flat – albeit one that shrank over the years – to a small house which came pre shrunk. Moving my studio to a much smaller space)

I’ve a new microphone and a patreon, and I’m not afraid to use it.

right now, I need to get back to the “Two things per day” system. Two pages of pencils or two pages of inks. I’ve slowed way down on that front, unsure why. But sure of the results: slight financial disaster. I only get paid when I work.

Yesterday on bluesky

(a new feature where in I highlight whatever the previous nonsense in Bluesky was)

one of those “show me a thing that describes a personal thing about you so I can reverse engineer it to figure out your date of birth and PIN number” started… somewhere… this one was

“Show me a comic you loved when you were 13, that’s all I need to know about you” – Brad Meltzer

And, look I knew it would be 2000ad, so I just googled 2000ad for the year and … ok. This wasn’t the first one to turn up… but I mean…

an absolute stunner of a cover, and a back issue of 2000ad that is just overflowing with classic stuff.

The Starborn Thing, Dredd meets alien/The Thing. Wagner and Carlos Ezquerra. Classic.

Fort Neuro. Rogue Trooper Stumbles in to Fort Neuro where madness has taken hold. Stone cold classic by Brett Ewins and Gerry Finlay-Day

Skizz – SKIZZ! Alan Moore, Jim Baikie – Boys from the Black Stuff meets ET. I mean!

Invasion of the Thrill Snatchers. Tharg has his detractors, but actually I always loved when there was a Tharg centric story – this one written by “Tharg” and drawn by Massimo Bellardinelli, so looks alien as all get out.

AND finally…

Chrono Cops – Alan Moore and Dave Gibbon’s delivering the greatest comedy time travel story to have ever or will ever exist.

I mean, what a thing for a 13 year old boy to read in one week, it’s really not much wonder my life turned out the way it did.

Somewhere I have this issue in the house. Buried, I’m sure under a million things, but it’s in there, it’s thrill circuits, gently thrumming and powering my brain even now.

As it happened, decades later, drawing a fun Dredd story about an alien wig monster trying to take over Mega City 1 I got to do a homage to this cover.

Literally the only piece of my work I’d consider hanging in my studio (if I can find it, because it too is buried somewhere…)

Brandon Peterson posted this over on bluesky

The story you’re carrying around in your head. The one with the twists you can’t wait to drop on the audience doesn’t exist. You gotta get it “down on paper” in some form. As soon as you do it begins to change, and you begin to react to it as you solidify choices. (This is a self criticism)

Man, I feel that.

It hit particularly yesterday because – on the drive up to my mother-in-laws (a good solid hour long drive) I was thinking about a new Terran Omega story, and how to start it and i found my hook in to the story, and having done this before where I’d conjure up a story but not write or draw it, I’m aware those ideas are just… gone.

Anyway that terran omega story has started as a note in my notes app. And let’s see how it grows.

And finally, Will McMillen posted this on bluesky… and frankly in this Pilots and Comic Artists are united…

An old advert. A jolly happy looking pilot Capt Peter Fletcher of British European Airways is quoted as saying “Piloting an aircraft all day I must have comfortable underwear”. It’s an advert for Pegus (London and Montreal) Activity (tm) Underwear (is his choice) from Good Men’s shops Everywhere.