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About Emma Newman

Emma Newman writes short stories, novels and novellas in multiple speculative fiction genres. She is a professional audiobook narrator, and a Hugo Award winning podcaster. Her current podcasts are ‘Imagining Tomorrow’ and ‘Tea and Sanctuary’. www.enewman.co.uk

The Script

Comic script - this is exactly what happened to my son in the small hours of this morning. I only saw the messages when I woke up, and he told me what happened once he was awake. It made me laugh, and I immediately thought it might make a fun comic and Beanie agreed!

A young man (if you want to base him loosely on my son, he’s 16 years old, tall, short brown hair, blue eyes) is about to leave his room but spots a huge spider on wall next to the door (it is on the wall that the door would rest against when open and the dressing gown hanging on the back of the door would brush against where the spider is) . 

He is terrified of spiders, so he can’t open the door. It’s the small hours of the morning.

He leaps onto his bed on the other side of the room, a bookcase blocking the line of sight between him and the spider and tries to phone his Mum who is sleeping in her room across the landing, and message her on WhatsApp, but her phone is on ‘Do not disturb’ so there’s no answer. 

Panicking, he phones friends until one finally picks up - ‘Help! There’s a huge spider in my room!’

Friend: What colour is it?

Beanie: Black? Brown? I dunno! It was BIG

Friend: You’re okay, I don’t think they can climb.

Beanie: IT’S ON MY WALL! (throughout the rest of this exchange the friend also now freaking out is just making Bean panic even more!) 

Friend: Oh, that one can climb then! Just dash out the door!

Beanie: It’s by the door, I can’t get out!

Friend: IT’S IN YOUR ROOM?! 

Beanie: Yes, I told you this!

He peeps round the bookcase. The spider is gone!

Beanie: It’s gone!

Friend: THAT MEANS IT COULD BE ANYWHERE!

Beanie’s eyes flick to all the posters it could be hiding behind, and all the clothes and stuff on his floor it could now be lurking under.

Beanie: YOU ARE NOT HELPING!

He hangs up and hides in the duvet. If you think that a final shot on the spider’s hiding place would be a good ending, do add that in, but happy to end it on Beanie hiding.

 

Artists Notes

One of the goals of the project was to try and work with as many writers as possible, and so I told every writer "Don't worry - I'll take any format of script" - there are sort of comic script standards, and attempts have been made in the past to really hammer them in, but for the most part every writer I work with works a little different anyway. That said, this script required a lot of thinking about to get the most out of the story (you can argue amongst yourself whether that's what I did).

Firstly there's a sort of action limit in comics, every action will usually require one panel - character opens door, walks through door, locks door? that's three panels. I felt like, on this script, there was too much going on to fit in the super limited single page I had, plus some of the action I wanted to build it up a bit more, so I knew I'd be putting a bunch of panels towards the getting ready to go out (because build up build up build up build up PUNCHLINE!) I also knew I wanted the dialogue interaction to have that ratatatat rapid delivery, which meant I'd get a single panel for that set of dialogue. This meant brutalising the story a little, cutting out the contacting of his mum and going straight to the friend. I also wanted a little end note on the spider - I thought that would be fun, a happy little chappy. (remove the last spider panel and the page feels like it's not quite finished - it's a figurative and literal full stop)

The manga shading effect/speedlines came after I'd drawn it and realise it would work better with a little bit of manga (tonally too, fits a teen), and the coloured lettering was because I needed someway to quickly distinguish the two sets of dialogue (I decided to eschew clip studio's balloon lettering tools a) because it would take ages to get exactly how I want it and b) because I thought I could add more character to it that way. The background of the room is pretty much a direct tracing of my teenage son's bedroom (which is so quintessentially teenager it looks like a set from a modern John Hughes teen comedy). (And it's all my son's work, he's done that all without parental help)

Anyway. This was finished the day before publication, but I think it turned out ok.

Oh, and because I drew it, and then slathered lettering all over it, here's the page without dialogue...

The Small Print Pencils Page 1

Look, I hsouldn’t do this. This is script that hasn’t been edited (and the last script I did write it was so heavily redrafted there was barely anything left from first to last draft) on the other hand I’m at my brother’s house and I can’t do any inking up here and I fancied pencilling the first page, so here it is.

My plan, on Monday is to see if I can get some notes, do another draft (largely around dialogue though unless someone suggests an idea so brilliant that I’d be an idiot not to include it) and then maybe pitch it to some anthology title somewhere – if not 2000ad. I can’t really submit it to 2000ad until I’ve finished the work I’m currently doing for them. Though maybe a second draft will convince me otherwise. If it doesn’t go to 2000ad I‘ll look around for an anthology, I think my preferences are, in no particular order (though I’d have to submit it one at a time, so I’d probably look for who’s paying/whether it’ll see print/what can it do for my career):

Heavy Metal (though I’m not mad keen on their NFT stuff) but I think they’d run the art and let me colour it and I’d probably try and push the art a bit more, more ornate, more HM.

RazorBlades – James Tynion‘s horror anthology – though it’s not quite horrific enough for that (I’d probably have to push the body horror more?) 

Ahoy Comics (their “Snifter of Terror” would be a good fit…) 

Shift Comics – a new UK anthology? cool.

The 77 – a pretty successful kickstarter backed UK comic, also cool.

There’s lots of factors when you’re thinking about submitting work; I like shift and the 77 and I’ve done something for the 77 in the past, but I’m not really expanding who sees my work in these anthologies – they are primarily UK anthologies and it’s likely they’re 2000ad crossover audience is pretty big. Plus the page rate would be pretty low (at a guess – not nothing, and creator owned, and it’s only four pages so it’s not like I’ll get rich doing it) so I think this will be my fallback option (unless I don’t just hoik it up online, but I find stuff sort of disappears when you do that)

AhoyComics would be fun, I like the books they do, it feels in my wheelhouse, though a four pager isn’t going to have much impact, it expands the publishers I’ve worked for  and they can probably pay US my page rates. Not sure about ownership. 

Razorblades would be great, as far as I know it’s creator owned work, so I get to keep the copyright (a thing not true of 2000ad) and it would be good to get in the orbit of Tynion who seems to be going places. Page rate I’m not sure about, but it’s the sort of venue I’d consider not worrying about it for four pages.

And finally Heavy Metal, sort of vague ambition to be published in Heavy Metal, certainly would’ve been a brilliant thing to say in my 20s/30s, now, in my 50s, it’s a little nostaligic notion even as I realise it’s not the magazine of my youth (and nfts? eyeuch)

Anyway, this  is the sort of shit that goes through my head. Hope you like this page 1, it may end up looking nothing this by the time I find a publisher / home for it and it gets an editor inspired rewrite…

The Small Print

Hey ho, so I’m awful at updates, in my defence everything on a macro scale in the world is terrible and everything on a micro scale is similarly awful.  In fact, it’s largely why I’m not really blogging anymore. It’s just … too much.

That said, here’s an update:

Work that I can talk about ; well, finished all prior commitments, now working through a couple of simple things, primarily a war thing (short, 8 pages) more chimpsky – I’ll post some art when I can – and … a DC strip – following the adventures of Dr Psycho, the Joker and King Shark. It’s only 15 pages, but it’s lots of fun.

After that I pick up the pen for a 40 page thing I’ve been putting off for about a year, while other work piled up.

(Work that I can’t talk about, actually there is none, I’m entering the panic stage of being a freelancer after a lovely few years of solid work)

Now, all that said, I’ve written another story, this one is fun little thing originally written as a very overloaded two pages. I don’t think there’s enough in it, to be a 2000ad horror story (but who knows maybe I’m being too hard on myself) but here’s the second draft of it for your amusement.

When an offer is made for your soul, it’s important to read all of the small print…

Sunday Round Up

Let’s try and convene some sort of weekly update.

Week 1!

Where am I, well, on the drawing table I’m finishing (at last!) the Lion and the Eagle. 9 pages of inks to go and done! It’s been a slog, I’m pretty happy with a lot of it (some bits more than others) the entire thing is digital – I find it works out better with war stuff where I can just gather up reference on screen and cheat with 3d models.

Once I’m finally done with that, I’m doing a short war story for a thing – tbh I’d rather not be, but I’d promised this over a year ago.

I’ve also another short thing, I don’t wanna talk about – but – while it’s short – it represents a promising break in my career, much like getting the first multiparter for 2000ad did (which was 3 years in to working for 2000AD). Approached by an editor to do a thing. It’s only 15 pages, but … look I promise you’ll see some of it when I get started. I’m very tempted to go back to pencil and paper for this one.

And thirdly/fourthly, I have more chimpsky to do, and a second part to a kickstarter project I was involved in last year.

I am running very late on a lot of these prior commitments, blame covid (and a big chunk was me drawing Soul Plumber which started as a drop in commitment to do a few pages and ended with me drawing maybe 60-80 pages? All between Lion and the Eagle issues 3 & 4) and family commitments, I’m still acting as a part time carer for my brother – who lives 50 minutes away, and who I end up staying with a couple of nights per week. More as a psychological carer than any actual grafting so it’s not hard work, but it is difficult to get in to a drawing flow when you’re in somebody else’s house. 

Anyway, more next week!

Happy Birthday 2000ad!

Sitting here thinking about 2000ad and accidentally came up with a terror tale pitch. Sometimes I post these half hearted thoughts on twitter and I get people saying “you should have sold that as a story” and the reality is i lack time(and possibly ability) to do so. So instead I’m gonna do these half formed thoughts here where if I *do* decide to actually pitch them then I can.

so here we go:

Terror tale: Tower

a team of modern day abandoned Building spelunkers have found an enormous tower, with vast basements. As they get further and further into the basements there are ghostly apparations. Then we see another character. Tall and in shadows, beside him a shorter character with a stammer sh..sh..should we stop them? No let’s see where this goes.

the climbers discover wonders machinary not unlike the mines in forbidden planet. The ghostly things get weirder and weirder.

soemthing happens. The shadowy figure decides to intervene, but it’s too late.

the people become trapped in the machines.

short guy “th… they’re trapped”

shadowy figure “yes. I’m afraid they are. No matter. The machine will consume them and use them and when the time is right I’ll send some droids in to harvest the new thrills. It’s been a long time but Kings reach tower may yet prove useful”

and With that Tharg and a run down, almost Frankenstein-like shell of Burt-1 walk away from the long abandoned Kings Reach Tower. 

Happy birthday 2000ad

Pro Writing Debut!

yay! Suddenly, out of the blue and unbenkowst to me, my 2000ad debut as a writer is out this week, prog 2268. Once the prog hits I’ll show you the pitch and the script and the notes and then the new script (which was radically different from the old script, though the synopsis is identical.) In the meantime, here’s page 1!

February Update

So here’s what’s been happening, finally finished Soul Plumber – the six issue mini I helped out on – issue 1, pencilled 2 pages, issue 2 layed out 12 pages, issue 3 did all layouts and half the inks, issue 4 the same, issue five mostly the same and issue 6 mostly the same. All while trying to get the war book done!

There’s a few pages to be finished they’re on John – but will check in on monday and see if he needs me to help out (deadline is the 10th, so it’s doable but tight). Last couple of days I’ve inked between two-three pages a day on it – distilling super complex stuff into simple comic books (draw the Sistene chapel! the seven headed beast of the apocalypse! A crowd of thousands watch as 11 million aliens form for horses galloping across the sky…!)

Anyway, this weekend back on to the war book! I’ve forty pages to pencil and ink in the next … uhm… 28 days? (ok that’ll slip, but I’ve already pencilled the first 12)

After that a short (8 page) war think I’ve been putting of for yonks, then the second book of the v2a thing that I did last year – forty pages of post apocalyptic mad max style shennanigans. Was meant to do this last year, but you know… things got away from me.

Nothing solid planned after that, I’m gonna miss the insane workload I’ve had the past five/six months. No time to holiday, no time to do anything but work – but at the same time, I might have time to write up this second future shock/terror tale 2000ad pitch idea I’ve mostly finished (the first one sold, and I drew it just not sure when it’ll see print)

Have high hopes for some DC work though – they seemed very happy with the work I did (and I wrangled the deadline and kept the book on schedule – even as the script was running late) so it stands my best chance of a crack at the big two. I might try and take the time to send some samples to Marvel (I’ve drawn one page of marvel material, so I’m on their books, but no-one knows me from Adam over there) and I’m pretty sure Kenneth Neimand will want to do more Chimpsky (as will I)

Anyway, normalish service will resume and we’ll see how that goes. But I surely miss all the lovely money from all the extra work…

[I’ll be cross posting this to my blog but with less insider info!]

Happy Xmas Chums

Never sure if it’s too early or late to post the old xmas card – but sod it, you get to see these things early.

Looking forward to next year; got a ton of stuff in print and I’m fairly optimistic about what’s ahead [it’s to feel your career has stalled, but Soul Plumber has fairly turbo charged things a little, exposure to DC editorial has been invaluable – hoping it lands more work, but we’ll see!]

I’m still working, and likely to be working up until XMAS eve-eve, so I’m sure you’ll see more posts by me later!

CHECK IN!

Well, I’ve done as much of Soul Plumber issue 4 as I might need to do – John’s got three pages to ink and about 9 days to do it in, so hoping covid stays at bay and he can get those done, leaving me to pour myself into doing some WWII stuff

By my count today, that means I’ve drawn 13 pages of Soul Plumber (plus a further 7 pages of pencils for it) and 12 completed pages of Time Before Time, so 25 pages in 21 days. Good lord. Anyway, I need another 10 to get back on schedule…!

Check one off the checklist

Finished this earlier than I expected, but my issue of Time Before Time is now Done.

This is probably my best/favourite page. Tried to lean hard into scifi/heavy noir, so we’ll see how that looks in colour. Sometimes what I have in my head is a disappointment when I get it drawn, this page I think worked.