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About Emma Newman

Emma Newman writes short stories, novels and novellas in multiple speculative fiction genres. She is a professional audiobook narrator, and a Hugo Award winning podcaster. Her current podcasts are ‘Imagining Tomorrow’ and ‘Tea and Sanctuary’. www.enewman.co.uk

The Script

Comic script - this is exactly what happened to my son in the small hours of this morning. I only saw the messages when I woke up, and he told me what happened once he was awake. It made me laugh, and I immediately thought it might make a fun comic and Beanie agreed!

A young man (if you want to base him loosely on my son, he’s 16 years old, tall, short brown hair, blue eyes) is about to leave his room but spots a huge spider on wall next to the door (it is on the wall that the door would rest against when open and the dressing gown hanging on the back of the door would brush against where the spider is) . 

He is terrified of spiders, so he can’t open the door. It’s the small hours of the morning.

He leaps onto his bed on the other side of the room, a bookcase blocking the line of sight between him and the spider and tries to phone his Mum who is sleeping in her room across the landing, and message her on WhatsApp, but her phone is on ‘Do not disturb’ so there’s no answer. 

Panicking, he phones friends until one finally picks up - ‘Help! There’s a huge spider in my room!’

Friend: What colour is it?

Beanie: Black? Brown? I dunno! It was BIG

Friend: You’re okay, I don’t think they can climb.

Beanie: IT’S ON MY WALL! (throughout the rest of this exchange the friend also now freaking out is just making Bean panic even more!) 

Friend: Oh, that one can climb then! Just dash out the door!

Beanie: It’s by the door, I can’t get out!

Friend: IT’S IN YOUR ROOM?! 

Beanie: Yes, I told you this!

He peeps round the bookcase. The spider is gone!

Beanie: It’s gone!

Friend: THAT MEANS IT COULD BE ANYWHERE!

Beanie’s eyes flick to all the posters it could be hiding behind, and all the clothes and stuff on his floor it could now be lurking under.

Beanie: YOU ARE NOT HELPING!

He hangs up and hides in the duvet. If you think that a final shot on the spider’s hiding place would be a good ending, do add that in, but happy to end it on Beanie hiding.

 

Artists Notes

One of the goals of the project was to try and work with as many writers as possible, and so I told every writer "Don't worry - I'll take any format of script" - there are sort of comic script standards, and attempts have been made in the past to really hammer them in, but for the most part every writer I work with works a little different anyway. That said, this script required a lot of thinking about to get the most out of the story (you can argue amongst yourself whether that's what I did).

Firstly there's a sort of action limit in comics, every action will usually require one panel - character opens door, walks through door, locks door? that's three panels. I felt like, on this script, there was too much going on to fit in the super limited single page I had, plus some of the action I wanted to build it up a bit more, so I knew I'd be putting a bunch of panels towards the getting ready to go out (because build up build up build up build up PUNCHLINE!) I also knew I wanted the dialogue interaction to have that ratatatat rapid delivery, which meant I'd get a single panel for that set of dialogue. This meant brutalising the story a little, cutting out the contacting of his mum and going straight to the friend. I also wanted a little end note on the spider - I thought that would be fun, a happy little chappy. (remove the last spider panel and the page feels like it's not quite finished - it's a figurative and literal full stop)

The manga shading effect/speedlines came after I'd drawn it and realise it would work better with a little bit of manga (tonally too, fits a teen), and the coloured lettering was because I needed someway to quickly distinguish the two sets of dialogue (I decided to eschew clip studio's balloon lettering tools a) because it would take ages to get exactly how I want it and b) because I thought I could add more character to it that way. The background of the room is pretty much a direct tracing of my teenage son's bedroom (which is so quintessentially teenager it looks like a set from a modern John Hughes teen comedy). (And it's all my son's work, he's done that all without parental help)

Anyway. This was finished the day before publication, but I think it turned out ok.

Oh, and because I drew it, and then slathered lettering all over it, here's the page without dialogue...

Money Talks

I’ve been freelancing for over 20 years now. In that time I’ve always done my own accounts – it’s a relatively simple task, given even in a good year you could maybe expect 20 invoices and expenses are pretty low. (Last year I got an accountant, so I still do my own accounts but he signs off on them and I pay him for it!)

The biggest problem with it is the way your income can go up and down month over month. I’ve always believed in having a three month buffer in the bank, three months  of living expenses to ensure that my bills are all paid in the event of work drying up – if I‘ve no work on, I assume it’ll take me a month to find work (if I don’t find work after a month I‘ll need a proper job) then a further month to do the work, then a further month to get paid for it. So worst case scenario is three months.

Of course, what I needed to cover three months 10 years ago isn’t the same as it is now, and frankly I don’t have that kind of buffer any more.

So, I need to rebuild it.

With income being so sporadic (I went Jan/feb/mar this year with no invoices being paid, and almost no income, but that was ok, I had invoices due and work on and money in the bank, so I’d planned for it). I‘ve decided to start a slightly different system than the usual. Basically, right now, money comes in to my bank, and I lodge as large a chunk as I can into a savings account and try and keep my normal bank sitting at an even keel of £2k – once it dips below that I fill it back up again with money from savings. BUT this has the effect of fooling me into thinking I’m only spending £2k per month. My outgoing fixed expenses are about £500 and another £200 that go to two savings account, and another £100 that goes to a holiday funds saving account, so the rest is food bills and all the living expenses you’d expect when you have two kids who eat like adults in the house.

Come tax payment time whatever I’ve squirrelled away in savings a big chunk usually goes to the tax man. (And sometimes I’ve had to borrow a little bit of money to pay that too – don’t do that kids!)

I’ve been planning for a while to move to a system where income goes into savings and I pay myself a fixed amount of £2k per month, that seems like a reasonable amount, without topping the account up. So I’ve been watching my main account like a hawk every single day, and man, it’s worrying. I think it’s having an impact on how I feel about spending money. Well, I hope it is. 

Of course, that assumes a regular income of around £33-£35k per year, below that and the tax man will eat up enough that I’ll have to tighten the belt, above that and I can actually start to save decent money.

Having started this first month of this system very loosely – my original plan was to pay myself at the end of the month – I’ve decide a pay date of the 25th is more reasonable. (This is entirely down to the fact I’ve about £60 in the bank right now). Most of my bills are front loaded and happen right at the start of the month (I think I spend about £300 on bills between 1-10th of the month).

I should stress my savings are still pretty decent, plus I’ve a large invoice payment from the US on the way too, so no worries on that front and I’ve another 15 pages of work that I’ll be invoicing probably at the end of the month (If I can get my finger out) But I’ll be sitting waiting to see how close to 30 days payments these guys can do.

Anyway, that’s some inside baseball stuff for you.

Monday Flashback

Ah – a project that has a name so cool it might have killed it. I won’t name it (the name might be a curse, like the time I told a mate his girlfriend’s new haircut made her look like Hawk from Buck Rogers, and it might have been the end of the relationship – I shouldn’t have said it, but I did). This was a thing Rob Williams and I were kicking around. Still pretty happy with this cover/promo piece though. 



Earth as Alien Planet

I love stuff like this, soldiers laying in a battlefield with wounds found they survived better if their wounds had been glowing overnight – 

“During the 2 days of fighting at the Battle of Shiloh in 1862, over 16 000 soldiers lay wounded in cold, muddy fields waiting for rescue.   During the night, some of the men noticed that their open wounds began to glow in the dark  A  greenish blue glow”

“The men had no explanation for this strange glow.  Doctors discovered that soldiers who had reported seeing their wounds glow had a much higher chance of survival than soldiers who did not.”

https://twitter.com/Flaminhaystack/status/1428367354421944322


Flash Forward Bonus

This is what I’ve beem spending most ofof time on at the moment. 160 pages. I don’t want to talk too much about it (vaguely supersititous about these things) and I’m not even at the halfway mark yet. But I will try and get some sneak peaks up as I go… 

Friday Flash Forward

Things to come, a pin up I did. I entirely forgot I promised to do this pinup, when asked I couldn’t remember a damn thing about it, and hadn’t realised I’d actually drawn a sketch (in which, I’d unhelpfully added the note – “should look cool, not sure how to do it”. Not sure if it succeed to be honest, but here it is.

I’m still mulling ove rhow best to put stuff I’ve done in the week just past here, right now I’m gonna preload a bunch of things you’ve not seen yet – since they’ve yet to appear in print. In order to avoid any stepping on publisher’s toes, I’ll try and limit it to small press or sketches or some other smattering of things.

Fun with Reference!

Sometimes, when I’ve got a war comic on the hop, I’ll create a file for reference and drop ref in to it, using clip studio’s 3d tools I’ll download a 3d model (using sketchfab.com) I’ll bring it in to clip studio and render it out as a couple of useful angles and then I’ll use that as the basis for the pencilling (I’ll copy and paste the ref gun into the page and make it a pencil layer and ink over it)

IT’S A CHEAT!

The return of the Patreon


Hey ho, decided to come back and mull over patreon. I think I can think of a way to make it work – Monday will be a look back, I’ll find something old and post it up – usually the lineart, sometimes the pencils. This will be for level one patreons.

 Friday will be more interesting, I think. Friday will be “The Week So far” – I’ll drop bits and pieces of what I’ve been working on. This will be for higher level patreons.

My plan is to set two patreon levels – $2 and $5 (and maybe $10 for you billionaires out there, determined to spend all your money supporting artists)

This new way of using Patreon will start in September – that’s when the tiers change. (and there will be tears)

Before then I’ll start to build the muscle memory/habit of shoving interesting things up here maybe with a Friday update – available to every level of Patreon, so you can see what you’re getting.

Look, thanks for sticking with me, if that’s what you’ve done (and apologies if you just haven’t been paying attention and the whole thing has happened without you realising)

I don’t think I’ll ever be able to make Patreon afford to pay me to make comics, so instead I’m gonna use it as a little window into my work-life here.

(Clearly, I’m not in a position to have to ponder the ethical questions of what would I do if substack offered me $100k to do a comics newsletter, but until patreon do the same thing, I think I’ll be very happy to make a nice even $100 per month off here…)


Some art!

This is the entire black and white art from the Judge Dredd story three kings by Kenneth Neimand… you may have missed it. 

I designed the robots to look like the rock ’em sock ’em robot, a point missed by a number of common taters who suggested they just didn’t look very interesting (a fair point, next time I’ll be less subtle about it)

Struggled with the inking on this, and ended up starting with pen and paper and almost immediately went all digital. Sometimes it’s a struggle.

Things that went nowhere…

Gosh, I’m amazed some people have stuck around. I guess you’ve probably forgotten this is even a thing, patreon slowly leaching money out of your account and over to here, where I’ve rudely not posted anything for some time.

I guess the big problem is having things to post, but, you know what… if you can keep a secret, what I think I’ll start doing is posting work that I’m in the middle of here. DO NOT UNDER ANY CIRCUMSTANCES PUT ANY OF THIS OUT IN TO THE WILD! Cheers

It’s all gonna be here for you. This is from an idea that a writer pal and I were bouncing around. It wen’t nowhere (pandemic took over).

Maybe it’ll be resurrected at some later date. Who knows. Any way. Get ready for weekly updates…