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A4 Issue Four

If you prefer you can download the pdf here.

My unending gratitude to Matt and John Yuan (deputy publishers of 1First Comics) who volunteered way back on issue 1 to proofread (off the back of a plaintive twitter plea) and ending up both being great proofreaders and even better editors - constantly encouraging and giving little notes that never alter the fabric of the story but always help.

Stories this issue:

Notifications, Memories of War, Cold Caller, The Civil War, The Monster, Sign Unseen, Ghosts.

A4 Issue Four Notes!

Gah, two stories with War in the title. So annoying. Hadn't spotted it until now, but there it is. It will be my eternal shame.

There were two things drilled in to me from English lessons in secondary school (which I did rather enjoy, I loved writing, and was told to apply for O-Levels early, so I did, and then I didn't do any work because I was fundamentally lazy - so failed it) anyway, the two things: never use the word got/gotten (I think this was my teachers personal bugbear, with teenagers writing "I got given a book then got a clip round the there and got out of there, before he got me" even I'm uncomfortable seeing the word "got" in anything I write) and never repeat a word if you can help it (obvious "I", "and" and so on are all fine). So two wars. Not good. Am annoyed. (Should point out, this is entirely a quirk of my own making!)

From hereon in there will likely be spoilers!

I had planned on a halloween all horror special - or at least as best as I'm able, but of course, I couldn't quite come up with every single story as a horror, so let's start with the least horror like story:

Notifcations

I suppose this and Ghosts share a very common through line, rejection and knowing the person who rejected you never even thinks of you. For a full exploration of this idea, watch the amazing "The Eternal Sunshine of the Spotless Mind".

Memories of War

There's a lot going on in the world, and much of it can be traced back so far that you'll never find the beginning point (hello from Northern Ireland!) - and the question is, if everyone lost their memories would those wars still continue. (this story optimistically says we'd all stop, I have a horrible feeling we wouldn't)

Cold Caller

Phew! Lighter fair! Actually there's a different story that uses the same sort of idea (the no-hawkers caveat that many people have at their door) I've been sitting noodling as a short comic for a few years (how many? oh man, it's embarrassing to tell - but let's say I first thought of it pre-pandemic) it would be far too long to do as one of these stories, so this slightly different version of it popped in to my head.

I am pretty proud of that title though, it came late - after I'd written a bunch of the stories and I was thinking "gah, now i need a title" and ping! there it was!

I did want to do stuff that was just a smidge lighter than last issue, because I've been told some of this stuff is DARK. I think of it all in the abstract, words on paper rather than real monsters. But we're haunted by the real and the imaginary, I suppose.

The Civil War

I saw a writer (a good writer;   it'll be a good book) talking their new Zombie book and it got me thinking, that zombie stories tend to be the ultimate "yeah of course I was the assehole prepping for the end of the world, and look, I WAS RIGHT" and I thought "what if instead of it being zombies, it's that everyone was just really really nice to each other ... oh... those asseholes wouldn't change..."

The Monster

I'll be honest, andI bet readers can tell, I shoehorned frankenstien in too this (because I wanted monsters, dammit)

Here's my orginal story idea from the apple notes app:

He had fragmented himself, Pumping his entire written and audio corpus through AI Large Language Models, and created an army of bots, one for each of the balkanised social media platforms. And he was finally free. Free to get on with work.

Is it better? it might be.

Sight Unseen

This could be policitical satire, I suppose. In the hands of a better writer. Instead it's simply a piece of fiction.

Ghosts

Gotta be honest, I just loved the shape and sound of the story. I love that it works on a couple of levels.  It pretty much came out fully formed, and so short. Honestly this is the joy of these shorts, there's not an ounce of fat on the idea, there's no point trying to extend it, and there's a sort of poetic quality to it. Anyway, might be one of my favs.

 

Hope you enjoy it, I would love to know what you think - you can fire me off an email to pjholden at gmail dot com if you like!

Drawing page sizes for 2000AD

Here’s how I fit comics on to A3/A4 paper – A3 paper width is 297mm. 2000AD Page Size safe width is 264mm – subtract one from the other = 33mm, divide by 2 = 16.5 and I just measure in from the edge of A3 paper by 16.5 (and then do the same for the heigh of the page)

2000AD full bleed is just a little wider than A3 paper, so I just draw to the edge of the paper, scan it in to a document I’ve set up that’s the exact size for 2000AD and then fill in the extra digitally (it’s usually pretty easy)

And because I’m lazy, now I just mark the 16.5 mm in from the edge of the paper, and using the side of the paper block as a guide I just drag my pencil down along from that side (it’s not perfect, but that’s ok) and that’s good enough to get going on pencilling.

Once I scan the pencils in I can then straighten lines up, add digital panel borders and enlarge any pencils I need. Then -if I’m inking traditionally -I’ll convert the pencils to a light cyan colour, leave the panel borders black and then print that whole page out on the reverse side of the pencilled page, so I never rub any pencils out and every page of inked art is on the back of the pencilled art.

And here’s 2000AD’s full page sizes for art Page Size: 30.2cm x 39.43cm Panel Size (or the Safe Area, in other words – that area of the page that lettering will go into) 26.44cm x 35.79 cm If you want full bleed DRAW TO THE PAGE SIZE.

(there’s a trim size too, but you don’t need to know that, either draw to the page size for art to bleed off the page or draw to the panel size to ensure it all fits on the page, that’s it…)

Planning the week…

I know I’ll illicit very few sympathies for this, but it can be tough planning out when you’ll finish a book when you can find yourself hitting spurts of speed and equally, suddenly losing a day for family reasons can knock you off course pretty violently. It’s the driving equivalent of doing 90 in a 30 zone.

My plan is to roughly mark out days in chunks of four pages of pencils/two pages of inks. Last month the best I did was six pages of inks and seven pages of pencils in any single day, but you’d be mad to base your working life on that.

So four pencils, two inks. Two inks is a pretty average for many artists, speed wise, but I’m secretly hoping for the most part I can hit three/four pages of inks, and get to the same 40 or so pages this month as I did last month.

So, that said, my plan this weekend and week ahead is:

Saturday: 2 pages of pencils (weekends I tend to hope for any work rather than expect any – that said I’ve done one page already. so actually I might get four done)
Sunday: 2 pages pencils
Monday: 4 pages of pencils
Tuesday: 2 pages of pencils

And that will finish the pencils for this chapter of Bad Magic – then I start in to the inks, given 2 pages of inks per day, I reckon I’ll hit 21 pages on or around the 18th/19th. Then more pencils for the final chapter (again 21 pages) about a week to do those which means, even with a following wind I’ll probably only start inking on the 28th/1st so nope, not a mission of getting 40 unless 2 pages of inks per day is pessimistic!

Anyway, we’ll see.

The Studio

Been a slow slow slow development towards what my new studio space looks like. Functionally, I’ve moved to entirely digital, which has meant the focus of the space is around digital drawing. But I still want to have the option to pick up some paper and draw on it.

I have a great big a3 inkjet printer I’d love to get rid of, but I need (JUST IN CASE!) and a Alex set of drawers first for A3 / A2 paper (well, just about A2) which is just a little too big. And this chair is no longer fit for purpose. BUT I have a bookshelf (which is currently half empty) and a new shelving system which I can add to as I see fit (though it turns out the top is so high up I can’t even reach it, so it’s now where I put my Objects of Desire. Though, tbh even seeing them requires me to stand on my tip toes.

I do miss the old old studio, you know… the one before we had kids when I had this VAST room that I could fit three tables in, and still have too much space. *sigh* maybe one day. At least now we’re in a house rather than a flat, there’s a possibility one day I’ll get a bigger space by putting a decent shed out the back… but I suspect my wife will veto that long before I put roots down. Still, this isn’t bad. Not bad at all.

Inside the studio space

A month of pages

Well, I’m not going to do any drawing tomorrow, but let me tell you – phew, what a month.

In the end, I pencilled 47 pages and inked 49.

It felt good. It breaks down like this:

Week BeginningPencilsInks
2 Jan 2023 128
9 Jan 2023511
16 Jan 2023291
23 Jan 2023124
31 Jan 2023 (so far)05

That included two episodes of the Leopard from Lime Street and finishing chapters three and four of Bad Magic (the Skulduggery Pleasant graphic novel written by Derek Landy). Next month I have the final two chapters to complete.

If you’re a patreon member you can see and follow the progress of the work I’ve done over the last month, and I intend to try and keep that format of weekly updates with photos of my work journal.

StreA page from the Leopard from Lime Street in the comic Monster Fun.

I’m feeling pretty good about not only how much work I did, but the quality of it (and idiot might say “fast pages aren’t good pages”, but I’ve always maintained, for me, the opposite is often true – fast pages frequently are ones I’ve felt confident about, slow pages are the ones that I’ve had to labour over).

Last time I hit a burst of speed like this was for the second volume of Dept of Monsterology (and I’m still really happy with a lot of those pages).

One worrying factor is if I DO the same next month, I’ll literally run out of work – but then, I can always start looking for more. Certainly, like an idiot I’ve started to turn over the idea of a commando digest style comic as a possible project. That’ll pass. I’m sure that’ll pass. I think.

Anyway, hope you had a good start to the year, mine has been great!

The Digital Studio

Here’s my computer setup for work.

Acer Asus 4k 27″ Monitor (which I can show 3 roughly print sized pages on across ways) cost: £179 (I think I picked this up as a bargain, it was the last of two of these in curry’s and they were discontinued, the newer one I think was about £230 or something)

Huion 16″ I picked that up for around £300 (Actually it might’ve been £269?) absoloute bargain at either price. I’d buy another of these in a heartbeat. 

Even when I had the massive 27″ Cintiq, I’d usually split the screen in two, in the left I’d show the full sized page and on the right I’d show a zoomed in area I was working on. The Huion is capable of the same but there’s not enough real estate there realistically, so instead this double screen set up is perfect.

Both powered by a Mac M1 Mini, the new M2 Mac Mini starts around £649 (8Gb RAm, 256Gb HD) – I’d probably go to the £1049 model (16Gb Ram, 512Gb HD) the mac isn’t upgradeable, and while my current setup is 8Gb/512Gb I do slightly regret not getting more ram (not that it’s ever hampered me, mind you, it runs fast enough for everything I do)

Updated to add: I forgot, the mac doesn’t come with keyboard or mouse, so I’ve a logitech wireless mouse (about £20?) and a really lovely, took-me-ages-to-finally-pull-the-trigger keychron keyboard, that was about £69(!) yes, I know. But it’s super small footprint, the keys are bright white (though it has an irratatingly large selection of how the keyboard lights work – I mean keyboard lights that dance around while you’re using it, I just want them on or off!) and they have a chunky nice feel when you use them. Plus it’s wired OR wireless, I use it wired just to keep the lights on all the time. (And you have three bluetooth connections you can choose from if you like).

Connected to all of that is a Brother DCP6690CW – which I think I bought 10-15 years ago? An A3 scanner/inkjet printer. Anwyay, it was around £260 and I use whatever rubbish ink cartridges I can find cheap and it works great for everything I do – scanning lineart, and printing blueline for inking. (though a more modern one would work a bit nicer on the network and I could print/scan to an iphone) That said I don’t actually ink this way anymore, so I’ve got it on hand JUST IN CASE.

Second printer is a Brother HL2350DCP laser printer, I use this for printing scripts and the odd comic, it’s A4 and can print double sided so good for silly fun projects.

Software wise: Clip Studio Pro Ex ver 1.13 (Latest version 1). There’s a version 2 coming soon, I’m not sure it has any features I want/need, but my old computer head will kick in and I’ll probably upgrade. 

For scripts/editing, I’ll usually turn to Pages – which is Apple’s word processor and free with the mac. Word compatible so good enough for most things. Though I am tempted to get Scrivener for comic scripting, which is about £50.

Folklore Thursday

I’m having to revisit folklore thursday strips for a collection (hurrah!) and oen of the things I’m doing is a brand new strip. Except… I don’t remember how to do it any more! So I’m sitting staring at the John’s tweet (remember, John Reppion would write a folklore tweet and I’d make up a comic using it) and thinking “how did I do this for a year?”

Four page days

I’m scheduling the pencils I’ve got to do this week for four page a day. Absolutely bonkers, but very doable. I mean, for a start my pencils are super rough (a guide for my later inking). Hoping I can get 21 pages completed, then start inking next week. One annoying thing about that schedule is when you have a hard crash in the middle of it (for whatever reason) suddenly, you’ve missed two days and you’re eight pages behind. Horrible.

Qwitter

I’ve gone round the houses on twitter, and the quitting of it. Here’s where I am now: my account – while active is only so because it’s a reasonable defence against my username being handed to a pornbot or similar (how many old comics forums are now in the hands of porn websites? I dunno, but don’t look up panelxpixel, it’s depressing)

Anything I post here gets autoposted, I do occasionally browse twitter and when I do, I might RT someone generally if it’s someone looking for help, or trying to drum up an audience for their kickstarter. I’m trying not to engage, but twitter still remains the best way to catch up on the world. BUT – my days of posting bon mots are, I think, over.

I have occasionally posted stuff, but it’s now basically just when I want eyeballs to look at things. I’ve found, like my old boss Davie used to say – I’m as replaceable as a fist in a bucket of water (you remove the fist and the water rapidly fills in the void)

I suspect over time those eyeballs numbers will drop and drop until the point where there really is no point posting there (partly this is the algorithem anyway, and partly I suspect Musk’s push for payment for audience is gonna make it useless)

That all said, my blog has never had more attention from me, and I’ve been averaging three-four pages of pencils per day (I mean yesterday I finished pencilling a page from the previous day, then did two pages of pencils and then did two pages of inks and still went to bed at a reasonable time…) so being mostly off twitter has been generally a net positive in my life – even if I do miss all my old mates who haven’t made the leap to Mastodon.