If you’re not familiar with “The Pomodoro Technique” it’s a super simple technique for focusing on tasks. The name “Pomodoro” comes from the italian for tomato, and is based on a rather cutsey tomato shaped timer the creator of the technique used. The idea is simple, and it’s this:
You set aside 25 minutes to do a single task. At the end of it, you take a five minute break. Do it again, and repeat until you’ve done 4 sets in a row, then instead of a five minute break you take a 25 minute break.
I find, for the sort of work I do (ie drawing comics) it’s a brilliant way to break log jams. Where I often focus on getting a page done, it’s very much a-can’t-see-the-woods-for-the-trees problem. Focusing on a timer that I draw to, rather than obsessing about whether can draw or not .
I’ve also been playing (for decades really) with a way of figuring out how much time I’ve been spending on pages. So here’s the latest iteration, the target below is pretty simple and represents a single page (you can write the page number in the centre). The first set of segments out from the page, the first inner ring – represents pencils, inks, colours and lettering (or, if you’re me, two segments represent pencils and two inks).
The larger outer ring, divided into chunks of four represents individual pomodoros, in sets of four – I’ve been aiming to do around 16 pomodoros per day – so in total the outer circle represents two days worth of work.
The plan, the guarantee, the thinking, is that instead of worrying about how long a page takes, all I’ve got to do is fill those outer rings as I do pomodoros and boom the page does itself (I mean you’ve still got to draw it, but it makes it – for me – much more manageable)
In this example, page 15 is fully pencilled and I know it took me about 3.5 hours.
So I’ve created a weekly sheet (let’s see how long I keep this up…) that contains a day breakdown of pomodoros as I do them along with 12 pages I could finish in the week (I mean 12 is ridiculous, the reality is, I’ll be happy to get six pages finished in a week, so if you’d like to use this, just remember the extra targets are just there for symmetry and balance on the page rather than actual work you should do)
If you want to use this yourself, it’s scaled at A5 so you can cut it out and stuck it in a diary or just use it on its own (or don’t use it at all!)
Sigh. Does anyone want to look back over what they did last year.
I suppose the one significant thing we’ve got to take from it all is that we need to be kinder to ourselves and to others. I fail at both, often. Not through want of trying, but rather the unthinking idiocy of just being human. Cruelty can often be the undercurrent of humour, and I’m probably guiltier of most for going for the joke without giving a thought to the cruelty (and I’m sorry to everyone who suffered one of the tiny little barbs of me making a joke because it seemed funny for half a second).
Anyway, mea culpa out of the way, how was your year? (I realise, 2020 being what it is, sitting writing this on the 29th of December is asking for another Black Swan to leap in and disembowel us all, but here we are)
For me, it started with a decent resolve to make notes on everything – keeping weekly posts on what I’ve done and what I’d intended to do, partly this was just a way to fill the blog and keep a connection to the wider world (a thing easily lost when you’re at your drawing table, head down and working away) and partly it was a good self motivator – yes, work is happening, and look, you even took some breaks and did some creator owned stuff.
Of course, I hadn’t planned on a world wide pandemic, which buggered that right up.
I’ve kept working throughout it, jobs were lost, of course, and productivity took a nose dive as kids had to be homeschooled or my wife ended up working from home, and I had to abandon a slew of things that there just wasn’t time for or required publishers who were no longer looking at projects.
Minor miracle we’ve come through it all, I suppose.
I’m glad I kept some of those productivity notes now though, as I look at a productivity reboot for 2021. I realise new years are entirely arbitrary points in time (time, of course, being an illusion, lunchtime doubly so*) but I’ve always loved them. Suddenly, some mental cobwebs are blown away, and, rightly or wrongly, I reset and think “Well, who cares if you blew it last year, this year… this year could be different”. It’s a placebo date. For many it’ll make no difference, and for a tiny few (me included) it actually does make a difference.
Of course, whatever I decide about 2021 the year itself may have other plans. We’re nowhere near at the backend of the pandemic, certainly here, in the UK, we’re still dealing with it (either we’re at the peak of a second wave, or closing in on the beginning of a much much worse third wave) we’ve got brexit to look forward to (everything until now has been a buffer against whatever the worse brexit has to offer us) and, brexit, panedemic out of the way, what will the government do to pay off the enormous amount of debt it’s had to rack up during the pandemic (and being a tory government that usually means massive cuts to services).
But sod it, those are things I have almost no control over, so there’s little point worrying about them.
Traditionally, I look over whatever my resolutions for 2020 were and see how I’ve done – but, frankly, getting the other side has been an impressive job. (Also, I don’t appear to have made any resolutions last year beyond “DO THINGS” so, even getting out of bed counts)
Next year?
Get more organised. Stay organised. Try not to work all the time (or, rather try to limit work + worrying about work to 5 days out of seven). Keep on top of the boring tax stuff and invoices.
Not sure what work has lined up for me next year. Doing some Chimpsky, there MIGHT be a long project in there (originally scheduled starting in November, so we’ll see if it comes off) and, you know, just try to get through 2021 in one piece.
This coming year marks the 20th anniversary of my first 2000AD Published work.
tl;dr Just that. This year, twenty years drawing Judge Dredd, and hopefully I’ll get to do more… now read on…
2000AD Prog 1233 – cover by Andy Clarke, my 2000ad Debut Issue dated March 2001
I’ve told the story many times, but to recap, following 2000AD’s purchase by Rebellion, Rebellion decided to have the first 2000AD Convention DreddCon:1 in November 2000 –
Flyer from the first Dredd Con with Artwork by Jock, a barely minted droid at that stage, but already doing some definitive work.
Having previously wheedled my way in to the online 2000ad fan community, via the fanzine “Class of ’79” (itself a product of the imagination of sadly missed WR Logan aka Stewart Perkins) and drawn a few strips for it, I’d also become friendly with Gordon Rennie – who was writing Dredd at the time – from doing some small press work for the fanzine “Violent” (created by Mike Sivier) It was clear I needed to go to the new convention.
The Class of ’79 Stand at the comic convention Comics ’99. That’s me in the foreground, ignoring everyone and just drawing – story of my life, really.
I was pretty active on alt.comics.2000ad – a newsgroup (newsgroups were message board type things that had elements of social media to them – ask your parents)
And had set up a nascent web cam type operation to draw live from my drawing board (twitching before there was a twitch) And thanks to the wonders of the internet, here that is:
There’s a reason I’m telling you this and it’ll be clear shortly…
The year 2000 was a seminal year for a multitude of reasons, I’d applied for a new job that I’d started on the 1st of that year, working for a charity as their IT manager, but, importantly, it was a part time job and I’d intended to spend the remaining time drawing more and – as a kid growing up reading 2000ad – the year itself, obviously, meant something.
Plus, and this might have been the clincher, 2000 was the year I turned 30.
So I went off to DreddCon, with a pile of comic pages (having advised people over the years you only need a few pages, I decided I’d try a slightly different, idiotic, tact and bought a whole load of work with me, the hope being I’d show it to then editor Andy Diggle and he’d relent under the pressure of my resolve and volume of my pages)
As it turns out, Andy was one of the people who’d watched the webcam (see, told you it would be relevant!) and said he thought (as he surface skimmed the art on the top of the massive pile of comics pages I’d bought) that my art had improved, so yes, he’d give me some work. I was a little anxious because he wasn’t really looking at the mountains of artwork I’d bought for him to look at.
This super lo-res photo is from a photo taken on the day Andy Diggle said he’d give me work. My cheeks hurt from smiling. I was 30.
In one of those happier coincidences, my girlfriend (who’d become my wife a few years later) was with me, so it was a glorious glorious con – best of my life, probably. (She remains not-a-con goer though)
I phoned Gordon immiediatly, and Gordon, to which I’ll always be in his debt, said he’d just sent in a Dredd and he’d ask for me to draw it.
And lo, I ended up debuting in Prog 1233 in March 2001 in Judge Dredd.
Some mad person has done the leg work of checking all of the contributors to Judge Dredd and the number of appearances (in the Megazine and 2000AD) and in the twenty years since, of the 146 artists to have worked on Dredd, in terms of number of appearances, I come in at number 9. Something which even now I’m slightly baffled by – how did that happen? In my head I’m still trying to break in to comics in general and 2000ad specifically. This past couple of years I’ve gotten more comfortable with how I handle Dredd himself, even as I’m still casting around trying to figure out how to draw his entire mad world.
The top Dredd artists twenty by Appearance
That first Dredd strip, I redrew it maybe three/four times, a curse that has followed me around on almost every job – the most recent Dredd I abandoned pages and redrew them with just as much insecurity.
How it started…How it’s goingAnd here she is in B&W
Anyway, twenty years. Kind of remarkable to do anything for 20 years really – I think my life working in IT lasted from the age of 14 to 37, in comics 30 to 50 (seven year overlap). Maybe, as the comics time frame takes over the IT time frame I’ll stop thinking of myself as an IT nerd who draws comics and instead ease into old age thinking of myself as a comic artist first and foremost.
This next year, in the bag already for 2000AD is more Judge Dredd, a solo Chimpsky series and more Dept K – if I end up spending the next twenty years working for 2000AD, well, it’s a life well lived as far as I’m concerned.
There’s no central committee to say “Here you go, twenty years of service, well done” so I make no apologies fort the self-congratulatory nature of this blog post, almost everything I’ve ever done in comics has been a way to connect to an 11 year old me, sitting in my room drawing Judge Dredd and trying to escape the real world, so well done you – you did it. I love drawing Dredd, I always have, I always will, and now I’ve finally gotten good at it, I’d like to do more.
Thanks to everyone who’s helped me get here – WR Logan, Gordon Rennie, Andy Diggle, Mike Sivier, Christian Dunn (former Warhammer editor) and, of course, Matt Smith – Thargs current incarnation who’s been there as long as I have, as well as the pals I’ve made along the way, Rob Williams, Si Spurrier, Arthur Wyatt, Al Ewing, and many, many more. And, finally, of course, special thanks to the readers who’ve put up with me as my art style has evolved over the years, there will always be ups and downs in quality, sometimes because you learn and try things out, sometimes it’s because drawing is bloody hard and life is hard and everything is HARD. But it’s never, NEVER because I don’t love the job.
I asked yesterday on twitter for a some films I can watch during decemember as a kind of Christmas run down – specifically looking for films that are seasonal (but not xmassy) and then xmassy films. So you start the month with something set at winter (or in the snow, like, for example The Thing) and you end on something that is a perfect xmas movie (like It’s a Wonderful Life)
So here’s the suggestions (copied and pasted from innumerable twitter replies, so forgive any duplication/missing suggestions), and in no particular order:
Billy Wilder comedy Stalag 17 is actually a Christmas film.
The Junky’s Christmas on Christmas Eve
Merry Christmas, Mr. Lawrence
Die Hard
Gremlins
Christmas In Connecticut. Dec 14.
Holiday Affair. Dec 19.
Kiss Kiss Bang Bang. Dec 23.
DIE HARD
LETHAL WEAPON
KISS KISS BANG BANG
THE LONG KISS GOODNIGHT
GREMLINS
A MIDNIGHT CLEAR
BATMAN RETURNS
ON HER MAJESTY’S SECRET SERVICE
TRUE ROMANCE
IN BRUGES
LA CONFIDENTIAL
WHERE EAGLES DARE
CURSE OF THE CAT PEOPLE
TV episodes: MILLENNIUM – Midnight Of The Century
THE X-FILES – How The Ghosts Stole Christmas
THE WEST WING – In Excelsis Deo, Noël
BTAS – Christmas With The Joker, Holiday Knights, Heart Of Ice
JUSTICE LEAGUE – Comfort And Joy
TALES FROM THE CRYPT – And All Through The House
Scrooged
Rare Exports
Family Stone
Noelle
The Night Before
Jingle All The Way
A Charlie Brown Christmas is a TV special, not a movie, but it’s required viewing, and is best in mid-December.
Von Ryan’s Express.
Bad Santa
On Her Majesty’s Secret Service, Christmas Day, after dinner.
Black Christmas 1974
Krampus 2015
Better Watch Out 2016
Elf,
Muppets Xmas Carol,
Nightmare Before Christmas,
Ghostbusters II.
“Trading Places”. Christmas Eve
ASSAULT ON PRECINCT 13 remake = New Year’s Eve
cliffhanger
home alone
The Office Party,
Lethal Weapon,
Hateful Eight
Arthur Christmas.
Spider-Man: Into the Spider-Verse
Iron Man 3 Spider-Man: Miles Morales (begins on Christmas) Elf
Tokyo Godfathers
Brazil
The remake of Miracle on 34th Street is a fave
Edward Scissorhands
Lethal Weapon
Rocky IV
Caste Away
Coming to America
The Ref
Hogfather
Silent Night, Deadly Night
Silent Night, Deadly Night II
Santa Slays
The Bishop’s Wife
THE DEAD ZONE
Anyway, trying to work my way through them, started on the Dead Zone, which is about the least xmassy (probably more an oct/november film)