Folklore Thursday: Boudicca

Oh man, let’s start with the Tweet. I admit, on first read of this, I got very excited, I knew EXACTLY what I was gonna do. Which sounds great, but it’s inevitably crushingly disappointing as your abilities fail to meet your ambitions (and even worse when the failing is one of laziness more than anything)

60AD. Britain 18 years into a Roman occupation lasting nearly 400. Boudicca, Queen of the Iceni – widowed, whipped, her daughters dishonoured – fought back. 70,000 fell before her. A layer of ash in London’s soil still marks the day she burned it to the ground. #FolkloreThursday

John Reppion

Straight off the bat, I knew we’d see Britain (grabbed here from an internet search of Roman Britain, just used as a placeholder graphic for inking over), then a single strong image of Boudicca killing thousands of romans (ambition) because of the nature of these things you don’t get too bogged down in realism, it’ll slow you down (if she was in the midst of the murderous revenge rampage, you’d probably not even see her at any angle, buried as she would be by roman bodies). So her leaping over a bunch of shields to get to the next tranche. Ideally I’d’ve drawn literally thousands, but (abilities) couldn’t (lazy) do (time) it.

Sent John pencils cus I actually thought this would be a winner of a strip and I wanted that early Dopamine hit of the writer seeing it and going “Awesome”

Pencils

The last panel would be a transition from the battle to modern day london, I thought that would be suitably poetic. The caption in the pencils was, though, destroying the transition – so I ended up moving it for colour.

Boudicca I drew as an older woman out for horrific revenge, coated in Blue Woad, unfettered by clothing (apart from some trousers – I mean my thinking was she would start fully clothed and shed it as the battle continues over days, untroubled by modesty)

Strongly muscular, and I tied the hair into a single braid – there is a historical description of Boedicca by Dio (not Ronnie James)

“In stature she was very tall, in appearance most terrifying, in the glance of her eye most fierce, and her voice was harsh; a great mass of the tawniest hair fell to her hips; around her neck was a large golden necklace; and she wore a tunic of divers colours over which a thick mantle was fastened with a brooch. This was her invariable attire …” 

Dio, Roman History (LXII.1-2)

I’m willing to bet money he never set eyes on her (I mean, given she is reckoned to have died around 60/61AD and he wasn’t born until c155Ad, it’s a safe bet).

That said, the way these things work (and the way they HAVE to work to make them viable) is John sends me a tweet (which is always smart, well researched and based on extant folklore myths or legends) and I use that as a basis for an inspiration that I do WITHOUT RECOURSE TO RESEARCH. I literally don’t have time to do that. Plus, it’s more fun.

Now, having read the description, I’d’ve probably kept the single mohawk braid, but made it a lot longer (down to her hips) and definitely given her a gold torc around her neck. But, that aside, it’s been interesting watching the reaction to the strip (there’s been some negative reaction which seems to come from certain people who reckon I’ve drawn her as a strong feminist and “ugly” – though they don’t seem to give two hoots about the diabolical liberties I’ve taken with the roman uniforms, so I’m choosing to ignore them)

Anyway, here’s the final, hope you like it!

And, finally, John wrote a really interesting article on Boedicca and it’s worth a read here.

Folklore Thursday: Lindwurm

Klagenfurt, Austria is home to a nine tonne statue of a Lindwurm, erected in 1590. Folklore tells of the beast plaguing the surrounding swamp, until it was eventually slain by a band of brave knights. Its skull was found in 1335, and is still on display today. #FolkloreThursday

John Reppion via Twitter

Well, this one came down to the wire. And, as a result, it’s the first one that’s been drawn digitally. Let’s talk you through it.

When I first read the tweet, I thought it would be fun to build up to the big dragon picture, have lots of Knights huffing and puffing and running towards it, lots of panels – a twenty panel page.

Then, I forgot about it and realised I needed to draw this just a few hours before midnight and so that all went out the window.

Luckily other options presented themselves. I took the text, chopped it up and popped it on a digital page – lettering before art. That gave me the structure and some notion of how I’d draw it. So I blarped out this super fast sketch that is, I suspect, utterly meaningless to anyone else…

Hit the drawing board to pencil it traditionally (still a more enjoyable experience than digital pencils) and … I think you can see the shape of those god awful scribbles above coalesced into what I had in mind (on panel 2 I dropped the idea of seeing lots of nights, because, frankly, I didn’t have time)

Notably Panel 1 the map I knew I’d basically find the location on google maps and redraw it, so that was blank, and the last panel, since it’s a real thing, I wanted to get the skull right – though I couldn’t find a decent picture of it, so figured it’d be alright on the night (which er… was the same night, I just mean it’d come together in the inking)

I wanted the inking to be be… richer? More line-y than previous pages. Wasn’t even sure I knew what I meant, but I wanted a different texture for the inks of the dragon. Woodcut.

Of course, I failed.

I’ll show the whole inks here, but notably, I inked panel 1 then coloured it, before moving on to the rest of the inks – I decided to keep panel 2 and 3 as a flashback / b&w but it didn’t want it to just look like I was being lazy – so – AHAH! a red spot colour would work really well.

Googled up some “medievil knights austria” to get some notion of the weaponry that would be suitable (though I wanted pikes) and here we are:

And, finally, the coloured art without lettering (for completeness sake)

Oh, John has written a fair amount of follow up on the origins of the Lindwurm in twitter (and if you’re curious, the skull they found was of a Wooly rhino). So go here to read all about the monster…

Tweetdrawing

Earlier today, my friend John Reppion posted a little musing on twitter about a local Church being knocked down.

John is a great writer, and the tweet had a lyrical quality that I really responded to. So I thought, as I’m winding down to relax for a holiday (hahah) I’d do a quick drawing of it as I saw it.

Here’s the tweet:

Presented as an image to maintain the historical record!

And I quickly scribbled out a layout and chopped the words up as lettering (drawn in Clip Studio at the digest art size, so I couldn’t get too precious and fiddly)

Tweet as Comic

Took a minute or two. Sent it to John for his approval (I mean he was surprised to see it I’m sure, given it was just me faffing around).

Then I went off and did some paid work and came back to it.

Speed drawing is funny, the trick is to cheat as often and as much as you can.

Cheat one: don’t pencil. Just go straight from the roughs to inks.

Cheat two: photo reference. Just google the hell out of everything and trace it. Google a church. Google a wrecking ball. Google a digger. Using maps to get an overhead shot of some buildings so you can quickly use that to build out a panel. Copy a panel and draw over it. And finally google some birds.

Cheat three: TRACE EVERYTHING. Don’t grab photoreference so you can internalise what a digger looks like, grab photoreference so you can trace the digger. If you’ve any sort of eye at all you’ll introduce enough variety in what you’re doing that it won’t be a problem to describe it as a reinterpretation

Not gonna lie. There’s a lot of tracing in this.

Here’s the black and white:

Now for colour, I skipped the flatting/rendering stage and just stuck with simple colours – but I grabbed a page I liked by an colourist I liked which covered similar colours to what I knew I needed and sampled it for all the colours. That to is big fat cheat.