Biting off a chewable Amount

I’ve been on reddit for around a decade but, to be honest, it’s not a place I’ve really used much. This past year though, in order to build the readership for Terran Omega, I’ve been posting the comic in there, and tried to be a useful Reddit citizen by contributing to topics that I think I can help in (this largely means comic art forums and clip studio, outside of that I’m on shakier ground so try and be careful about limiting my interactions)

There’s a forum – r/ComicBookCollabs which is largely for people looking for creative collaborators (hence the name), and honestly, id’ve loved something like that at the start of my interest in drawing comics- my first comics collabs (beyond working with friends) were found in the back of the old Comics International personal ad section – because I’ve 12 million years old (and much later than that the old Comic Book Resources forums).

Even in the short time span I’ve been contributing though I’ve noticed a repeated pattern that amounts to “hi guys. I’m building a massive fantasy series, I’ve the series bible locked and the first twelve episodes plotted and I’m really looking for someone who can join me on a long journey to getting the comic done. Back end split 50/50”. And look, I understand, in your first steps you’re ready to do your own scifi lord of the rings and, even now, at 56 years old, I’d love that to find that mate you had as a teenager that was willing to travel to the end of the earth with you. So I can feel the pull of this.

What’s odd to me, in the Reddit forums is these requests are not met with blank stares but with dozens of people responding saying “heres my portfolio”. Now maybe these are all genuinely people who are willing and want to get on board what amounts to a multi year commitment with no money and no way for it to make money. Maybe.

But I suspect the truth is, they’re hoping some money will come (many of the artists are posting internationally from countries where $30 a page would actually make a liveable wage)

In the end these are very much the first saplings of most comics people, genuine excitment and ambition that vastly exceeds your reach.

My standard advice is, if you’re a writer and dead set on a series bible then start finding short stories. Personally I think if your world is so interesting it warrants a bible there should be fodder for dozens of short stories (Dredd’s world of mega city 1 is exactly like that, though even then the strength of Dredd’s world is there IS no Bible – that world is elastic and arguably the best worlds are). Short stories allow you to practice scripting, and find a collaborator – if you’re paying it won’t break the bank and if you’re not paying, it’s so much easier to get a commitment for one/two pages than it is for a six issue x 22 page miniseries. (Which if you’re not paying for is a bit like saying “oh yeah, this isn’t happening”)

Keep it simple. Keep it small. Build it out. Rory McConville used to pay people to draw one page strips, he’s currently writing Spawn. AL Ewing used to write and draw short mini comics. Al’s career took off very nicely.

And don’t put all your eggs in one basket. Even if you’re paying, without a publisher, you could find yourself paying for a long term project with an artist who could flake on you the first time they get an offer form s professional publisher. 

Spread your bets. Is what I’m saying.

Isolation

This week has been the start of the real world, wife working full time in new job. Eldest son out at day job (Uni placement for a year) and youngest son at work. So it’s been me on my own in the house. Now the last time this was the norm was… uhm… prior to covid (everything changed then of course) and then my wife was at home 2 days out of five, but really the last time I had a full day an empty house was probably back in 2008 before my eldest was born. And even then I worked three days a week in an office (my comics career started in 2001, but it took another few years before I felt secure enough that I could leave the day job, a decision even now I sometimes regret).

So this, this is the first time the platonic ideal of being alone is nearly there (I mean the only soul wandering the house occasionally is now my son’s girlfriend who lives with us)

Anyway, oh my god, guys, can I tell you. I love it. Got a full page finished on Monday along with some invoicing and yesterday did a lot of things – house stuff, and just generally thinking about the future for work – felt optimistic! I mean no actual work, but that’s for today. I’ve got my work plans all laid out. Finish some inks, do 20 pages of layouts. Just to have that wide expanse of empty time. Sometimes my day at the table doesn’t even begin until 12 because stuff has to happen around the house, then it’s lunch time then other family stuff, then your now into 3 and then … you know, being freelance means never being able to say “uhm, actually no, I can’t do that because I’m at work”.

I’ve joked in the past that I’m probably well suited to prison life and possible solitary confinement, as long as I have a pencil and some paper. now I guess we get to see how true that is before I go mad.

Yesterday on bluesky

Over on my Patreon I’ve grouped all my old folklore Thursday posts in to a collection, it’s all free to view (and if you enjoy it you could consider buying the collection from John Reppion at his online store.

Moody red/blue image of a characters face, with the tagline "How do you rob a casino without robbing casino? You go after... the Skim."

My pal Matt Garvey’s new kickstarter The Skim – a fun, smart heist comic with amazing art (ive read it!) – is launching soon and you sign up early! here!

Me phoning everyone I know to say “yeah! No-I’m on my own! Everyone is at school or at work! House is empty! It’s amazing”

So if I’m murdered by a jealous freelancer check my recent calls. 

That’s it! that’s your lot! Bye!

Kicking the tyres on a Kickstarter for Terran Omega

I’m starting to mull over my kickstart options and so I phoned Matt Garvey, since there’s few people know more about publishing comics on Kickstarter than matt (who, coincidentally, has a new kickstarter about to launch – The Skim, a casino heist comic with some amazing artwork – great big juicy double page spreads that you’ll want to see in print)

So here’s the shape of it, it’s nebulous and foggy and I’m doing some thinking on the page as I type it, but the more I concentrate the more I can see it forming up…

I’m going to do a kickstarter for Terran Omega The Ghosts of War. Single issue comics for part one and part two.

Issue One, right now, I’m looking at March launch date. Soon, right! TERRIFYINGLY SOON! (so it might move)

Launch issue 1 on kickstarter, with some tiers:

  • PDF File / colour & B&W&Green
  • B&W Copy (why no green, you ask? Price, I reply!)
  • Full Colour
  • Full Colour with Alt Cover

Pages 1-25 with front and back cover, should come to 32 pages in total.

There will also be add ons to get PDFs of the Artist Edition – same comic with big super high res versions of the images!

I think the comic price will be about £8? (pricer than I’d like, but I am really figuring things out here and don’t want to go too low and burn my fingers) and I’m two minds about doing an alt cover. I suspect some people might want both copies and there’s a part of me hates that for them (maybe I can work out a two edition price?)

I anticipate there being 100 printed and sales hitting 50 or so. Maybe.

Haven’t looked in to postage yet, but will do.

Then when issue 2 is complete, I’ll do the same (or similar, or take all the lessons I’ve learned and try and apply them and so it may be completely different).

Issue 2 will have a slightly different page count, which could mean a slightly different page count for the comic (there’s two pages less, which means you can nearly print four pages less of book, but I could also just use that for fun backwater, so probably the same page count – I told you I’m thinking this through as I do it!)

THIS WILL ALL BE A PRELUDE TO A HARDBACK/PAPERBACK edition. I have no idea what they will be priced like. But certainly, I’ll be limiting the hardback numbers because oh boy does that look expensive to do! (I mean I might limit them to ONE copy for me…)

My ideal hardback is oversized, and stuffed with two versions of the comic (colour and black / white / green ) and maybe an artist edition at the back. That is wildly unlikely – because it would push the page count to uhm … 148+ pages and er.. yes. That gets costly quickly. I mean if the kickstarters go well, who knows maybe…

I think you’ll not see the hard back until about a year after the kickstarter of issue 2 but it’ll contain new material(I hope!) and sketches and all sorts that I can fit in.

Anyway, news of this as I build up what I’m doing.

run fat boy run

About two years ago I started the couch to 5k running thing with a friend of mine. I’d previously bounced off it innumerable times, “Running”, I thought, “wasnt for me”.

Well turns out running on my own wasn’t for me, and if I’m honest, neither is running with a pal. I just don’t like it. At least misery loves company. Anyway we started it about two years ago, and ended up doing the full thing and running (to my own amazement) a number of 5ks. But then we took our foot off the gas a bit, and missed a few and dropped a few and now we’re hovering around the halfway point. Now, to be honest, I’m not bothered, the main thing I’m getting out of it is largely I’m going for two-three runs per week (schedule permitting) and I’m no longer so deeply unfit that a short walk is killing my legs (seriously, just before we started running we went walking and 1k in my calves were killing me)

Now the thing is I’m a little fitter. Which is great. But I’m not much slimmer. I still eat like a horse, my wife has recently lost a stone and a half and I’m a little jealous. I’m a short man, with a wide stomach. Now I’ve also been suffering more ibs attacks lately, and so I’ve decided I’d try and alter my diet a bit to see if that helps. So yesterday cut out sweets/chocolate and tried to limit my eating hiours. So one day clean of chocolate. (god I love chocolate). I’ll let you know how I get on. I weighed 14st 6lbs today.

Focus

I’ve decided this year I’m going to fucs my attention on work. That means, sadly, no improv and no acting, no goofing off doing outside stuff. That extra time and focus, I hope will get me back on track. Especially since I want to make a concerted effort to write more this year.

Yesterday on bluesky.

I posted up a status report on Terran Omega. Look! Look! This is why I love Clip Studio Ex’s story mode, you can just watch your pages as they form right before your eyes (very slowly…)

21 Pages in!

I also set up an Affinity Publisher file with the pages so far in a mock up of the first issue of the comic. Why? Because I think I might print 100 up and either try out kickstarter or see if I can sell them directly.

Over on my Patreon I’ve grouped all my old folklore Thursday posts in to a collection, it’s all free to view (and if you enjoy it you could consider buying the collection from @johnreppion.bsky.social at John’s online store… )

I suddenly1 had an urge to listen to Enya’s debut album “Watermark” (which my memory remembered being called Orinocco Flow, but that’s cus thats the first song released from it. I bought this when it came out, I was 18 and certainly this was when I was discovering what my taste in music was. I loved it.

From that I largely sat on spotify listening to whatever it threw at me, and finally I heard this – song -Chimacum Rain by Linda Perhacs and it was transfixing, sounding like an unreleased song from the amazing Silent Running. It’s a real delight if you’re listening with headphones or have a good stereo system set up. When you listen to it you should read about it too, fascinating. I’m somewhat taken by stories of people who produce something once then go off and have normal lives only to discover decades later that they have a fanbase for this one dazzling creative moment in their life. (here’s an interview with her from 2015 – to sum up, was a dental hygensist, released the album in 1970 it was barely noticed, she went back to the day job, the album was “rediscovered” in the late 90s, then in 2014 she released a second album.)

  1. Well,not that sudden – I spotted on the BBC Sounds app a programme about the release of the album which spurred on a relisten. ↩︎

Doing lines…

One of the dullest and yet something you do multiple times per page job is drawing panel borders.

There’s no right or wrong on any of this, it’s all entirely subjective, and I’d argue all that’s important is consistency (in terms of style rather than say line width)

So panel1 borders (the black lines that go around panels) are a very established part of comics grammar. Even if people don’t really know what they are or contain.

When I started drawing comics, aged 18 – long before I had any chance of a freelance career, I started drawing with Rotring Rapidograph pens. A mechanical pen the draws lines in a fixed width with the caveat you have to hold them in a very particular way (pretty much vertically straight). I used .25 for drawing and 1.4 for lovely thick panel borders. It stood me very well. For a bit.

I inked panel borders like that, using the rapidograph for decades. Until I figured out I could actually get away with drawing the panel borders on computer. Then my process changed, sometime around a decade or more ago… I’d loosely pencil the panel borders, scan the pencils in, draw panel borders in Clip Studio and then convert the pencils to blue line, print the resulting page out – blue line pencils with black panel borders and then just ink! no more panel rules!

Such a relief.

The rapidograph is perfect except… it’s so fiddly… so bloody fiddly. And needs constant care and attention (see the featured image – every time I use it now, I have to wash it out, because the ink dries in it’s channels causing it to block)

After deciding, last year, that I wanted to make a break from the computer a bit (at this point I was pencilling and inking on the computer, and had put away all the tools of the trade) I didn’t want to start up with the rapidograph. I’d added some new tools to my arsenal, namely posca markers – black and white. The black at various thicknesses were great for doing panel borders! nice solid blacks. But a little inconsistent and a bit of a pain to use against a ruler (never a problem with the rapidograph) in exchange they were extremely low maintenance- I mean, open them and they worked – and importantly they were water proof, a thing the rapidograh ink never was, which meant using acrylic white paint to correct mistakes would often result in a smear of grey when the rapidograph ink mixed with the white acrylic. Such a pain.

BUT … the black poscas would often leave ink on the ruler when used and that would inevitably transfer to my arm which would then find its way back to the page, leaving more smears.

Just… ugh. Look my love of digital comes down to just how clean it all is. Ink and me, we never managed to get through a day without clashing with each other and the resulting mess being left on the page somewhere.

The posca ink transfer problem proved insourmantable, so I moved back to the rapidograph, at this point it had spent a good 10 years unused and the ink had gone … very … very bad. It smelt, weirdly, of vanilla. So a thorough cleaning later and the slightly sickly vanilla smell still present at least it worked.

But again the white+black = grey. Gah,

So I moved again to using a rule and a brush – not a bad idea, the brush is almost the perfect tool for inking lines, it’s useable instantly, easy to clean, doesn’t transfer if you’re careful, and you can use standard black ink, so waterproof! Ah, but now the problem is… holding a ruler in the right way to get the line perfect is a pain.

You hold the ruler at about 30-45deg from the page and using the raised edge you draw the brush along it creating a simple smooth line. A bit of practice and this line proves to be both lively, and interesting even when you’re trying to give a perfectly straight dull line.

But it’s still bloody fiddly, and my hand and eye aren’t the steady laser like stillness of my youth, so I think I’m going to have to clean the gunk out of the old inkjet and go back to drawing panel borders on the computer. Nothing else. Just borders. And honestly, I think that might be the right decision.

  1. Clip Studio calls them frames, I call them panels, and I’ve heard them referred to as Cells. There may be more names, but for simplicity I’ll refer to them as Panels. ↩︎

The New Normal

My wife is starting a new job today, moving from part time to full time employment. And, for at least the first six months, will be in an office for five days of the week. This is the first significant change in how things are around here since the birth of our now 21 year old son. (these younger than the blog! Holy crap!)

What this means is I’ve a chance to block out a brand new daily routine, with scope to do some of the slightly barmier things I might want to do, like micro podcasts. I’ve been obsessed with making things for a long long time. And I’ve always wanted to do more media things, but there’s always someone in the house (couple of years ago I bought my dads house and went from a roomy flat – albeit one that shrank over the years – to a small house which came pre shrunk. Moving my studio to a much smaller space)

I’ve a new microphone and a patreon, and I’m not afraid to use it.

right now, I need to get back to the “Two things per day” system. Two pages of pencils or two pages of inks. I’ve slowed way down on that front, unsure why. But sure of the results: slight financial disaster. I only get paid when I work.

Yesterday on bluesky

(a new feature where in I highlight whatever the previous nonsense in Bluesky was)

one of those “show me a thing that describes a personal thing about you so I can reverse engineer it to figure out your date of birth and PIN number” started… somewhere… this one was

“Show me a comic you loved when you were 13, that’s all I need to know about you” – Brad Meltzer

And, look I knew it would be 2000ad, so I just googled 2000ad for the year and … ok. This wasn’t the first one to turn up… but I mean…

an absolute stunner of a cover, and a back issue of 2000ad that is just overflowing with classic stuff.

The Starborn Thing, Dredd meets alien/The Thing. Wagner and Carlos Ezquerra. Classic.

Fort Neuro. Rogue Trooper Stumbles in to Fort Neuro where madness has taken hold. Stone cold classic by Brett Ewins and Gerry Finlay-Day

Skizz – SKIZZ! Alan Moore, Jim Baikie – Boys from the Black Stuff meets ET. I mean!

Invasion of the Thrill Snatchers. Tharg has his detractors, but actually I always loved when there was a Tharg centric story – this one written by “Tharg” and drawn by Massimo Bellardinelli, so looks alien as all get out.

AND finally…

Chrono Cops – Alan Moore and Dave Gibbon’s delivering the greatest comedy time travel story to have ever or will ever exist.

I mean, what a thing for a 13 year old boy to read in one week, it’s really not much wonder my life turned out the way it did.

Somewhere I have this issue in the house. Buried, I’m sure under a million things, but it’s in there, it’s thrill circuits, gently thrumming and powering my brain even now.

As it happened, decades later, drawing a fun Dredd story about an alien wig monster trying to take over Mega City 1 I got to do a homage to this cover.

Literally the only piece of my work I’d consider hanging in my studio (if I can find it, because it too is buried somewhere…)

Brandon Peterson posted this over on bluesky

The story you’re carrying around in your head. The one with the twists you can’t wait to drop on the audience doesn’t exist. You gotta get it “down on paper” in some form. As soon as you do it begins to change, and you begin to react to it as you solidify choices. (This is a self criticism)

Man, I feel that.

It hit particularly yesterday because – on the drive up to my mother-in-laws (a good solid hour long drive) I was thinking about a new Terran Omega story, and how to start it and i found my hook in to the story, and having done this before where I’d conjure up a story but not write or draw it, I’m aware those ideas are just… gone.

Anyway that terran omega story has started as a note in my notes app. And let’s see how it grows.

And finally, Will McMillen posted this on bluesky… and frankly in this Pilots and Comic Artists are united…

An old advert. A jolly happy looking pilot Capt Peter Fletcher of British European Airways is quoted as saying “Piloting an aircraft all day I must have comfortable underwear”. It’s an advert for Pegus (London and Montreal) Activity (tm) Underwear (is his choice) from Good Men’s shops Everywhere.

Big

After a bit of a grim night with IBS and wrecked sleep on a slow Sunday afternoon my wife and I sat down and BIg was on the telly. We’re about four years apart in age, not a big deal at our age but I suppose when it comes to a film I last watched start to finish in 1988 when I was 18 and my wife 14 (we wouldn’t meet until 1995 so don’t panic) it’s interesting when we share a thing we both enjoyed from the 80s.

Anyway, really enjoyed Big. I remember it being a fun story about a kid becoming an adult but I don’t remember the very obvious symbolism about not wishing your childhood away which is so clearly in the premise but then also deftly delivered in the film too.

It’s a story that knows exactly what its theme is and then it plays out at every level, between Hank’s Josh wishing to be an adult and getting “big” but still being a kid, and then losing that young side of him because he’s enjoying the trapping of adulthood, to Elizabeth Perkin’s Susan who has Embraced adulthood and all its horribleness and hanks character brings out the innocence in her. A sort of near mirror of each others stories. Great writing.

Also after binge watching stranger things it’s fun to see an actual Magical film about kids made in the 80s. It was lot more omnipresent and pastel looking with shades of grey rather than the bolder colours on display in stranger things. Over on Reddit, amusingly, someone asked “did kids really run around totally unsupervised during the 80s” my friend you don’t know the half of it. Anyway great film. Lovely watch.

IBS and me…

About 10 (maybe 15 years ago) I started getting excruciating pains in my stomach. I mean end of the world, apocalyptic, doubled over in agony crying, wishing I was dead pains. They would start in the evening and typically go on until the next morning. They’d have a sort of journey, from “oh I can feel something a bit odd” to “oh-this is sore” to “please god let me die” to eventually “on this is agony but actually I might have peaked”. I saw the doc, I went to a&e (where the now typical 14 hour wait meant that by the time I was seen the pain had crescendoed).

The doc put me on a fodmap diet (fodmap puts your food intake into food groups which are known to cause problems and you slowly start reintroducing them back in to your diet). Once I’d done that it was obvious that gluten was BAD.

I suspect this wasn’t entirely out of the blue for me, as I’d been effected by the same “oh that feels a bit odds” mostly after drinking beer. A discomfort that was noticeable enough that actually it’s probably a large contributor to why I’m not really a drinker.

eventually, after a few years of back and forth and testing etc, I was diagnosed with IBS-D (Irritable Bowel Syndrome – D for … well, you can guess) with a “wheat trigger”. Ibs if you don’t know is a special doctors code for “well we did all the tests we could for this issue, and you didn’t have any of those things, so you have IBS” – IBS might as well be called IDK.

So, I went off gluten (though like a brave little soldier I will occasionally have things with barley or rye in them which do contain gluten and they seem to be fine). I went off gluten because it’s easier to ask for gluten free than wheat free (and even asking for gluten free is a pain).

Going gluten free has helped. The end-of-the-world pain has largely been put back in its box, and those extreme pain attacks are few and far between. That said, they haven’t gone away and lately the attacks have been – if not as painful – certainly more frequent.

I suspect it’s because a “wheat” trigger doesn’t mean only wheat will trigger an attack. I’m beginning to suspect suger (oh my first and truest love) of also starting to trigger it.

I could stand to lose some weight, that’s for sure. So I think I’m going to cut sugar out, or at least as best as I can, there’s plenty of suger in prepackaged foods, but I’m going to give sugar treats a wide berth. I’ve lost bread, and I’ve stopped milk (well drinking milk, I’ve not gone vegan)

I’m happy to hear your thoughts on this, but I’ve heard every possible idea and I’ve visited the IBS Reddit threads where it is just other peopel talking about the pain, there’s no absolute solution to this (maybe… maybe faecal implant…?) and I’m not looking any sympathy. Just getting some 6am blogging in since I’m sitting here with a hot water bottle on my tummy due to the pain.

thank god I don’t have a day job, eh.

Blogging Frequency

I think one of the things that killed my interest in blogging is that twitter became the first place to drop a thought. Over time, that slowly morphed my thinking into twitter formats, short, 180 characters (as was) blurts of information that could be linked into a longer post. Which then formalised the idea of blogging being something that I can only do once in a day and required more thinking (a spiral I suspect of preventing me from ever blogging).

Now, I did use to blog through the day, if something occurred to me, I’d post it on the blog first, but again, twitter (and all social media) took that impetus away.

So I’m wondering if I can reverse out of that thinking cul de sac. If, instead of going to Bluesky1 first, I hit up my blog first and type up whatever nonsense it is I’m thinking off there, will I break the habit?

I don’t know. I do know that checking social media every morning, right now, is just a spiral into dark moods and depression – maybe instead of that, I can open my phone and type up some early morning nonsense and just blog it. I mean, who cares? right? I set the rules for this place myself, that’s the whole point. So let’s see what happens when I start doing that.

  1. I’d written twitter original out of habit, but I’ve been off twitter for awhile ↩︎

Terran Omega, 20 pages in…

I’m about to start on page 21 of Terran Omega, and 24 pages mark the actual halfway mark and 25 pages is a good chapter break for part one. But actually I think getting to page 20 is a thing in itself.

Here’s how it started: about a decade ago I was approached by Broken Frontier to do a sci-fi story -I pitched an idea I’d noodled around for a bit – Terran Omega, the last human being who was a weapon who had worked up 10,000 years after she was useful and decided to become something not a weapon. The Iron Giant mixed with Kung Fu. It meant I could write and draw multiple stories with this one character, because she could stumble in to each one and help resolve it but she would move on to the next – a story engine, is how I thought of it. I enlisted the help of my pal Scott Ferguson (we were doing a podcast together at that point, along with our mate Ron).

Of course, I didn’t do more, I had a bunch of ideas, some more developed than others. And I kept coming back to the idea of space ship ghost story, and I kept trying to figure out how to make it work – both the story and more importantly, the actual method of doing the thing such that I could afford to do it.

So the solution and the plan I decided on is this, and it’s been successful thus far (and by successful I mean I’ve stuck to it).

Write the entire thing in advance. Write a story you want to draw, because you’ll be drawing it for a year. Don’t worry too much about descriptions, just write enough that you know what’s happening. I wrote it fully scripted, you could also write marvel style (where you write a paragraph a page and add dialogue after) but I worried by the time I added dialogue for, say, page 15, I’d be 15 weeks away from doing the dialogue on page 1 and consistency might be a problem.

Then I do all the layouts, just making sure I know what each page looks like (I have of course, LOST the layouts!)

I have a art shelf specifically put aside for the project, and everything I do on it, goes in there, so I can put it away and take it out when I need it.

I pencil and ink a page on the weekend (hopefully), then upload it to go live for Wednesday on patreon for free. I want to build an audience for the eventual kickstarter, so building that audience out before the kickstarter is important, and while I could do that on my own website, I felt like patreon would allow me to grab some people that wouldn’t stumble across the blog.

(I’d already had a little success with building an audience on patreon a few years ago with John Reppion doing our folklore comics)

I set a few tiers on patreon, free (B&W&Green comics on Wednesday) $1, $2, $10 – those tiers all get the same but it allows people to pay what they’re comfortable with. I’ll be honest, I don’t make enough from paid subscribers to even make one page of B&W art, so trying to figure out how to give three tiers of people didn’t things felt like a job. This way I get to say “Hey I appreciate you giving me money, I’ll let you access stuff early and see the colour work and whatever else I can think of, but I’m not going to draw a distinction between you”

With this book, as it happens, it divides neatly in to two parts. So I think I’ll have a two issue pdf comic BEFORE doing a kickstarter with the whole thing.

The magic ingredient for getting it done for me is getting the script done and just slowly but surely chipping away one page per week and ignoring the horrible urge to start other things.

Finishing is a skill of itself, and one I know I have (because I’ve finished so many projects) but with stuff I’ve written and drawn them myself I tend to do four page strips at most, and often don’t finish those so this – even now, at 20 pages- is the longest entirely creator owned thing I’ve ever done, and so I take a little pride in that. Wait til I hit page 48 I’ll be unbearable!

One thing I’ve decided to do is add a newsletter I’ve found there are people who are unwilling or unable to go to patreon. I suspect Substack would be best for this, but Substack has fallen prey to the billionaire nazi-bar problem (you know, you allow one nazi in to your bar, and before you know it you’re a nazi bar) So instead I’m using Kit. I know nothing about kit except it looks good and is free for less than 10k people. (And laughably I’m vastly orders of magnitude below that so can’t imagine it’ll be a problem.)

I’ll send monthly updates with the pages in them, I think. Because again, this is about gathering readers for the end goal of a kickstarter.

So, how’s it working?

As far as numbers, the patreon has gone from around 20 people to 325

Chart from Patreon showing growth of Active members up by 286 (to a total of 325) new members grew by 283 and cancelled 24(!)

My Patreon is collecting about $90 per month, which is probably really about £50 a month, the thing is, I’ll dip in to that when I get to the point that I need to turn the work in to something physical (though I suspect I might have to do that before the tax year ends) it’s been three months already so it’ll pay for… something. I’ve grown the free readers but paid readers have stubbornly refused to grow at the same rate. Maybe it’s because I’m not asking for much (perversely, people are more willing to cough up more than cough up less, if you don’t appear to need the money they don’t feel the need to pay it to you – it’s that thing where a thing of value looks better when it’s priced higher, so maybe I haven’t done myself any favours here)

I’d love to grow the patreon to around 500 by the time the kickstarter happens, I think that’s a really good base to a successful kickstarter (And I’ve no idea how to grow it but looking at other comic creators on patreon it’s not an outrageous number)- though I’m not expecting all of them or even half of them to make the leap to a paid kickstarter. For a start a lot of those readers may be in the US and postage may just make any kickstarter entirely unaffordable. I’m in Belfast and I’ve yet to figure out what that means for postage to the Eu and to mainland GB, I HOPE – but am not convinced yet – it puts me in a weirdly good position, where I won’t be hit by European de minimus rules (because NI is in a liminal European Union condition) and similarly I won’t be hit by GB de minimus rules, but the US remains a bit of a nightmare for figuring that stuff out (last I heard the post office was telling people not to send stuff to the us due to backlogs!)

I do need to reach out to various websites to do interviews and so on, but it’s something I’m not great at doing (I’m a great interviewee! but rubbish pr person). I think that’s something I should try and get better at.

All in all, been a good start to this. I turned 56 in December, and I’m more conscious than ever that there’s only so many pages in me and I’d like more and more of them to be stuff I wrote.

Christmas Hulk

I’ve still got unread graphic novels from a couple of years ago and not enough space to store them all! BUT! I’ve made a start on this Incredible Hulk series volumes 1-4. Mother in Law very kindly bought them for me for xmas.

Got a lot of comics stuff this Christmas, to be honest, a little too much.

I’ve still got unread graphic novels from a couple of years ago and not enough space to store them all! BUT! I’ve made a start on this Incredible Hulk series volumes 1-4. Mother in Law very kindly bought them for me for xmas.

I will admit, I wanted this entirely for the art of Nic Klein. And boy does he not disappoint. It’s also very very monster heavy (I approve).

Though I think in Volume 3 it offers a very confusing interlude that was part of a cross over. You be the judge, but the chapter opens with the title “The Incredible Hulk Blood Hunt” then 9 pages in, as Banner asks another character “What Happened? Where is everybody?” they helpfully explain “Left. Went home. The Movies shut down when the sun went dark*” and that asterisks leads to a caption that reads “*See Blood Hunt #1”. Wait. What is this NOT Blood Hunt #1? Needlessly confusing (turns out Blood hunt was a five issue miniseries and “Incredible Hulk Blood Hunt” was the hulk issue that tied in to that)

But that little oddity aside, it’s monster bone crunching fun.

Recommend.

(Not entirely sure how many volumes are in this and the follow up series Infernal Hulk looks even more Kleintastic Rock Band Cover Bat of Hell mad so looking forward to getting to that)